AfterNow

AfterNow Building the future of human computing interface using augmented reality.

AfterNow specializes in envisioning, designing and building mixed reality applications for practical use cases and entertaining experiences.

05/26/2026

Going to AI on the Lot tomorrow, building the future of entertainment

05/26/2026

๐—”๐—œ ๐—ผ๐—ป ๐˜๐—ต๐—ฒ ๐—Ÿ๐—ผ๐˜ is coming this week in Culver City, so I decided to share my 3D scan in Gaussian Splats of the ๐—–๐˜‚๐—น๐˜ƒ๐—ฒ๐—ฟ ๐—ง๐—ต๐—ฒ๐—ฎ๐˜๐—ฒ๐—ฟ, where the event will be held. For anyone who wants to use the location as a background to generate cool images and videos.

3D Gaussian Splat: https://superspl.at/scene/54e7a432

https://www.linkedin.com/company/ai-on-the-lot/
https://www.instagram.com/aionthelot/

05/25/2026

Hello hermes and postiz are now in control

04/27/2026

๐—ฆ๐—ผ๐—บ๐—ฒ ๐—ฝ๐—น๐—ฎ๐—ฐ๐—ฒ๐˜€ ๐—ฎ๐—ฟ๐—ฒ ๐—ป๐—ผ๐˜ ๐—ฝ๐—ฒ๐—ฟ๐—บ๐—ฎ๐—ป๐—ฒ๐—ป๐˜. ๐—ง๐—ต๐—ฎ๐˜โ€™๐˜€ ๐—ฒ๐˜…๐—ฎ๐—ฐ๐˜๐—น๐˜† ๐˜„๐—ต๐˜† ๐˜๐—ต๐—ฒ๐˜† ๐˜€๐—ต๐—ผ๐˜‚๐—น๐—ฑ ๐—ฏ๐—ฒ ๐—ฐ๐—ฎ๐—ฝ๐˜๐˜‚๐—ฟ๐—ฒ๐—ฑ.

This week, Iโ€™m sharing a 3D scan of street art in Venice Beach, Los Angeles.
What makes this capture compelling isn't just the visual fidelityโ€”itโ€™s the fact that this environment is inherently ๐—ฒ๐—ฝ๐—ต๐—ฒ๐—บ๐—ฒ๐—ฟ๐—ฎ๐—น. In a place as vibrant and evolving as Venice Beach, walls are painted over, textures weather, and the urban landscape shifts almost daily.
While photos capture a surface and videos capture a fixed path, 3D Gaussian Splatting preserves the ๐—ฒ๐—ป๐˜๐—ถ๐—ฟ๐—ฒ ๐˜€๐—ฝ๐—ฎ๐˜๐—ถ๐—ฎ๐—น ๐˜ƒ๐—ผ๐—น๐˜‚๐—บ๐—ฒ ๐—ฎ๐—ป๐—ฑ ๐˜€๐—ฐ๐—ฎ๐—น๐—ฒ of the environment, creating a navigable archive that 2D imagery simply cannot replicate.
This scan preserves a precise moment in time that will never exist in exactly the same way again.
While my work often focuses on Virtual Production and Real Estate, this highlights a critical third use case:

๐—–๐—ผ๐—ป๐˜€๐—ฒ๐—ฟ๐˜ƒ๐—ฎ๐˜๐—ถ๐—ผ๐—ป ๐—ฎ๐—ป๐—ฑ ๐—–๐˜‚๐—น๐˜๐˜‚๐—ฟ๐—ฎ๐—น ๐——๐—ผ๐—ฐ๐˜‚๐—บ๐—ฒ๐—ป๐˜๐—ฎ๐˜๐—ถ๐—ผ๐—ป.

By capturing these spaces as high-fidelity 3D Gaussian Splats, we create more than just a visual record; we create a spatial archive. This is invaluable for:
* ๐——๐—ผ๐—ฐ๐˜‚๐—บ๐—ฒ๐—ป๐˜๐—ถ๐—ป๐—ด ๐˜€๐˜๐—ฟ๐—ฒ๐—ฒ๐˜ ๐—ฎ๐—ฟ๐˜ ๐—ฎ๐—ป๐—ฑ ๐—ฝ๐˜‚๐—ฏ๐—น๐—ถ๐—ฐ ๐—ถ๐—ป๐˜๐—ฒ๐—ฟ๐˜ƒ๐—ฒ๐—ป๐˜๐—ถ๐—ผ๐—ป๐˜€ before they disappear.
* ๐—ฃ๐—ฟ๐—ฒ๐˜€๐—ฒ๐—ฟ๐˜ƒ๐—ถ๐—ป๐—ด ๐˜‚๐—ฟ๐—ฏ๐—ฎ๐—ป ๐—บ๐—ฒ๐—บ๐—ผ๐—ฟ๐˜† and the evolution of neighborhoods.
* ๐—–๐—ฟ๐—ฒ๐—ฎ๐˜๐—ถ๐—ป๐—ด ๐—ฑ๐—ถ๐—ด๐—ถ๐˜๐—ฎ๐—น ๐—ฎ๐—ฟ๐—ฐ๐—ต๐—ถ๐˜ƒ๐—ฒ๐˜€ for researchers, historians, and urban planners.
* ๐—ฅ๐—ฒ๐—บ๐—ผ๐˜๐—ฒ ๐—ฟ๐—ฒ๐˜ƒ๐—ถ๐—ฒ๐˜„ for curators and cultural institutions.
I am increasingly interested in how 3D capture can serve as a tool for ๐—บ๐—ฒ๐—บ๐—ผ๐—ฟ๐˜†, ๐—ฝ๐—ฟ๐—ฒ๐˜€๐—ฒ๐—ฟ๐˜ƒ๐—ฎ๐˜๐—ถ๐—ผ๐—ป, ๐—ฎ๐—ป๐—ฑ ๐—ฐ๐˜‚๐—น๐˜๐˜‚๐—ฟ๐—ฎ๐—น ๐—ต๐—ฒ๐—ฟ๐—ถ๐˜๐—ฎ๐—ด๐—ฒ, ensuring that the "temporary" becomes permanent.

If you work in ๐—ฐ๐—ผ๐—ป๐˜€๐—ฒ๐—ฟ๐˜ƒ๐—ฎ๐˜๐—ถ๐—ผ๐—ป, ๐—ฎ๐—ฟ๐—ฐ๐—ต๐—ถ๐˜ƒ๐—ฒ๐˜€, ๐˜‚๐—ฟ๐—ฏ๐—ฎ๐—ป ๐—ต๐—ถ๐˜€๐˜๐—ผ๐—ฟ๐˜†, ๐—บ๐˜‚๐˜€๐—ฒ๐˜‚๐—บ๐˜€, ๐—ผ๐—ฟ ๐—ฝ๐˜‚๐—ฏ๐—น๐—ถ๐—ฐ ๐—ฎ๐—ฟ๐˜, Iโ€™d love to connect and discuss how this technology can support your mission.

๐—ช๐—ต๐—ฎ๐˜ ๐—ผ๐˜๐—ต๐—ฒ๐—ฟ ๐—ฒ๐—ฝ๐—ต๐—ฒ๐—บ๐—ฒ๐—ฟ๐—ฎ๐—น ๐˜€๐—ฝ๐—ฎ๐—ฐ๐—ฒ๐˜€ ๐—ผ๐—ฟ ๐—ฎ๐—ฟ๐˜๐˜„๐—ผ๐—ฟ๐—ธ๐˜€ ๐—ฑ๐—ผ ๐˜†๐—ผ๐˜‚ ๐—ฏ๐—ฒ๐—น๐—ถ๐—ฒ๐˜ƒ๐—ฒ ๐—ฑ๐—ฒ๐˜€๐—ฒ๐—ฟ๐˜ƒ๐—ฒ ๐˜๐—ผ ๐—ฏ๐—ฒ ๐—ฝ๐—ฟ๐—ฒ๐˜€๐—ฒ๐—ฟ๐˜ƒ๐—ฒ๐—ฑ ๐—ฏ๐—ฒ๐—ณ๐—ผ๐—ฟ๐—ฒ ๐˜๐—ต๐—ฒ๐˜† ๐—ฑ๐—ถ๐˜€๐—ฎ๐—ฝ๐—ฝ๐—ฒ๐—ฎ๐—ฟ?

04/23/2026

๐—ช๐—ต๐—ฎ๐˜ ๐—ถ๐—ณ ๐˜†๐—ผ๐˜‚ ๐—ฐ๐—ผ๐˜‚๐—น๐—ฑ ๐—ฏ๐—ฟ๐—ถ๐—ป๐—ด ๐—ฎ ๐—ฟ๐—ฒ๐—ฎ๐—น ๐—ฅ๐˜‚๐—ฒ ๐—ฑ'๐—”๐˜‚๐˜๐—ฒ๐˜‚๐—ถ๐—น ๐—ผ๐—ป๐˜๐—ผ ๐—ฎ ๐˜ƒ๐—ถ๐—ฟ๐˜๐˜‚๐—ฎ๐—น ๐—ฝ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐˜€๐˜๐—ฎ๐—ด๐—ฒ โ€” ๐˜„๐—ถ๐˜๐—ต๐—ผ๐˜‚๐˜ ๐—ณ๐—น๐˜†๐—ถ๐—ป๐—ด ๐—ฎ ๐—ฐ๐—ฟ๐—ฒ๐˜„ ๐˜๐—ผ ๐—ฃ๐—ฎ๐—ฟ๐—ถ๐˜€?

This scan captures Rue d'Auteuil and the area around ๐—Ÿ๐˜†๐—ฐรฉ๐—ฒ ๐—.๐—•. ๐—ฆ๐—ฎ๐˜† as a high-fidelity 3D Gaussian Splat.
Why this location specifically:
Rue d'Auteuil has a distinctive characters โ€” low-rise Haussmann buildings, a village atmosphere, cobblestone accents, and a quiet residential feel that reads as quintessentially Parisian without the postcard clichรฉ. It's the kind of location that production designers spend days scouting.

The scan preserves that character in full spatial detail โ€” facades, proportions, light, scale, and context โ€” ready to be dropped into a virtual production pipeline.

This opens up a different kind of workflow for filmmakers and production designers:
- ๐—ฉ๐—ถ๐—ฟ๐˜๐˜‚๐—ฎ๐—น ๐—ฝ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐—ฒ๐—ป๐˜ƒ๐—ถ๐—ฟ๐—ผ๐—ป๐—บ๐—ฒ๐—ป๐˜๐˜€ โ€” bring real Paris locations onto LED stages
- ๐—ฃ๐—ฟ๐—ฒ๐˜ƒ๐—ถ๐˜€ ๐—ฎ๐—ป๐—ฑ ๐—น๐—ผ๐—ฐ๐—ฎ๐˜๐—ถ๐—ผ๐—ป ๐—ฝ๐—น๐—ฎ๐—ป๐—ป๐—ถ๐—ป๐—ด โ€” review and approve before committing to a shoot
- ๐——๐—ถ๐—ด๐—ถ๐˜๐—ฎ๐—น ๐˜€๐—ฒ๐˜ ๐—ฒ๐˜…๐˜๐—ฒ๐—ป๐˜€๐—ถ๐—ผ๐—ป๐˜€ โ€” extend the environment digitally
- ๐—ฅ๐—ฒ๐—บ๐—ผ๐˜๐—ฒ ๐—ฐ๐—ฟ๐—ฒ๐—ฎ๐˜๐—ถ๐˜ƒ๐—ฒ ๐—ฎ๐—ฝ๐—ฝ๐—ฟ๐—ผ๐˜ƒ๐—ฎ๐—น๐˜€ โ€” share with directors or clients without travel
- ๐—ฅ๐—ฒ๐˜‚๐˜€๐—ฎ๐—ฏ๐—น๐—ฒ ๐—น๐—ผ๐—ฐ๐—ฎ๐˜๐—ถ๐—ผ๐—ป ๐—น๐—ถ๐—ฏ๐—ฟ๐—ฎ๐—ฟ๐—ถ๐—ฒ๐˜€ โ€” one capture, multiple productions

I'm building a library of real-world locations โ€” from iconic landmarks to characterful streets like Rue d'Auteuil โ€” that can serve film, commercials, and immersive media.
If you work in ๐˜ƒ๐—ถ๐—ฟ๐˜๐˜‚๐—ฎ๐—น ๐—ฝ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป, ๐—ฝ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐—ฑ๐—ฒ๐˜€๐—ถ๐—ด๐—ป, ๐—ฉ๐—™๐—ซ, ๐—ผ๐—ฟ ๐—น๐—ผ๐—ฐ๐—ฎ๐˜๐—ถ๐—ผ๐—ป ๐˜€๐—ฐ๐—ผ๐˜‚๐˜๐—ถ๐—ป๐—ด, I'd love to show you sample scans and discuss how this could fit your workflow.
๐——๐—  ๐—บ๐—ฒ ๐—ถ๐—ณ ๐˜†๐—ผ๐˜‚ ๐˜„๐—ฎ๐—ป๐˜ ๐˜๐—ผ ๐˜€๐—ฒ๐—ฒ ๐—ฅ๐˜‚๐—ฒ ๐—ฑ'๐—”๐˜‚๐˜๐—ฒ๐˜‚๐—ถ๐—น ๐—ฎ๐—ป๐—ฑ ๐—ผ๐˜๐—ต๐—ฒ๐—ฟ ๐—ฃ๐—ฎ๐—ฟ๐—ถ๐˜€ ๐—น๐—ผ๐—ฐ๐—ฎ๐˜๐—ถ๐—ผ๐—ป๐˜€ ๐—ถ๐—ป๐˜๐—ฒ๐—ด๐—ฟ๐—ฎ๐˜๐—ฒ๐—ฑ ๐—ถ๐—ป๐˜๐—ผ ๐˜†๐—ผ๐˜‚๐—ฟ ๐—ป๐—ฒ๐˜…๐˜ ๐—ฝ๐—ฟ๐—ผ๐—ท๐—ฒ๐—ฐ๐˜.

04/21/2026

Most AI glasses send your data to the cloudโ€”without you knowing.
I tested a fully local setup: open-source glasses + self-hosted AI + zero cloud dependency.
Your data. Your hardware. Your control.
Full video + breakdown + code links below.
https://dub.sh/6lPdCtj

04/20/2026

๐—ฆ๐˜๐—ผ๐—ฝ ๐—น๐—ฒ๐˜๐˜๐—ถ๐—ป๐—ด ๐— ๐—ฒ๐˜๐—ฎ/๐—ข๐—ฝ๐—ฒ๐—ป๐—”๐—œ/๐—š๐—ผ๐—ผ๐—ด๐—น๐—ฒ ๐—ผ๐˜„๐—ป ๐˜„๐—ต๐—ฎ๐˜ ๐˜†๐—ผ๐˜‚ ๐˜€๐—ฒ๐—ฒ. ๐—›๐—ฒ๐—ฟ๐—ฒ'๐˜€ ๐˜๐—ต๐—ฒ ๐—ผ๐—ฝ๐—ฒ๐—ป-๐˜€๐—ผ๐˜‚๐—ฟ๐—ฐ๐—ฒ ๐—ฎ๐—น๐˜๐—ฒ๐—ฟ๐—ป๐—ฎ๐˜๐—ถ๐˜ƒ๐—ฒ ๐˜๐—ต๐—ฎ๐˜ ๐—ฎ๐—ฐ๐˜๐˜‚๐—ฎ๐—น๐—น๐˜† ๐˜„๐—ผ๐—ฟ๐—ธ๐˜€

Your AI glasses know everything about you. The question is โ€” who else does?
In this video, I break down how to build a completely private AI glasses system using open-source hardware and open-source software. No cloud dependencies. No data leaving your network. No subscriptions.

Here's what we cover:
โœ… Cloning the repo
โœ… Setting up a local AI server
โœ… Modifying the TypeScript/React app to suit your needs
โœ… Live demo of AI processing โ€” 100% off cloud

This isn't theoretical. It works today. And it costs less than you'd think.
If you care about privacy, ownership, and not becoming the product โ€” this one's for you.

Tech blog post:
https://www.afternow.io/privacy-first-ai-glasses-with-local-llm-open-source-setup-on-mentraos/

04/14/2026

Mentra.Live redefines what AI/AR eyewear can do: integrated liveโ€‘streaming and a realโ€‘time AI transcription notes app. In this comprehensive review we examine both the rugged hardware and the intelligent software stack.
Full Review: https://youtu.be/w_Qd0HvUw80

04/02/2026

This is a ๐Ÿฏ๐—— ๐—š๐—ฎ๐˜‚๐˜€๐˜€๐—ถ๐—ฎ๐—ป ๐—ฆ๐—ฝ๐—น๐—ฎ๐˜ ๐˜€๐—ฐ๐—ฎ๐—ป of ๐—Ÿ๐—ฒ ๐—Ÿ๐—ผ๐˜‚๐˜ƒ๐—ฟ๐—ฒ.
What interests me about this isnโ€™t just the visual quality โ€” itโ€™s the range of ways a scan like this could be used once it exists.
A few possibilities:
- a location asset for ๐˜ƒ๐—ถ๐—ฟ๐˜๐˜‚๐—ฎ๐—น ๐—ฝ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป
- a digital reference for ๐—ฝ๐—ฟ๐—ฒ๐˜ƒ๐—ถ๐˜€ / ๐—ฐ๐—ฟ๐—ฒ๐—ฎ๐˜๐—ถ๐˜ƒ๐—ฒ ๐—ฝ๐—น๐—ฎ๐—ป๐—ป๐—ถ๐—ป๐—ด
- an immersive cultural or educational experience
- a reusable environment for interactive media
- a way to document and preserve a place in navigable 3D
Iโ€™m currently testing where this kind of capture creates the most value in the real world.

๐—œ๐—ณ ๐˜†๐—ผ๐˜‚ ๐—ต๐—ฎ๐—ฑ ๐—ฎ๐—ฐ๐—ฐ๐—ฒ๐˜€๐˜€ ๐˜๐—ผ ๐˜€๐—ฐ๐—ฎ๐—ป๐˜€ ๐—น๐—ถ๐—ธ๐—ฒ ๐˜๐—ต๐—ถ๐˜€, ๐˜„๐—ต๐—ฎ๐˜ ๐˜„๐—ผ๐˜‚๐—น๐—ฑ ๐˜†๐—ผ๐˜‚ ๐˜‚๐˜€๐—ฒ ๐˜๐—ต๐—ฒ๐—บ ๐—ณ๐—ผ๐—ฟ?
Would love to hear perspectives from people in:- film / VFX / VP
- real estate
- architecture
- tourism / culture
- gaming / XR
- insurance / built environment

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