見本生物, Taipei (2026)

23/06/2024

Package design for Editor's Sign Pen

啟明編輯專用文具還推出了簽字筆！這次選用由崛江幸夫發明的Pentel 最經典筆款，1963年誕生於日本，維持相同設計至今。改稿、筆記、畫重點，總是恰到好處的表達。

包裝以灰卡紙直角釘成盒，滿版的綠色與裸露出的灰卡紙芯形，碰撞出不修邊幅的精緻，與簽字筆書寫線條擬態的文字與圖像相得益彰。

The Chiming Special Stationery for editors has also introduced sign pens! This time, we've chosen the most classic Pentel model, invented by Yukio Horie in Japan in 1963, and maintaining the same design to this day. Whether for revising, note-taking, or highlighting, it always expresses just the right touch.

The packaging is made of gray cardboard, with L-angles nailed into a box. The full-page green color contrasts with the exposed gray cardboard core, creating a raw yet refined aesthetic. This pairs perfectly with the typography that mimics the writing lines of the sign pens.

現在！啟明官網開始販售，請洽

design .zwz
print

05/06/2024

Album artwork for ”Posture“
傻子與白痴《姿態》

②編輯設計篇 Editorial Design

「無關乎證明也沒有要貶低，姿態是個中性的詞彙，它代表了我們是什麼樣子，就呈現出什麼樣子的自信。」——傻子與白痴

《姿態》以碎裂的石碑與神秘典籍呈現，試圖用圖騰文字與神秘符號營造架空的世界觀，如何解密與進入作品端看觀者的選擇。

"Posture" is presented with shattered stone tablets and mysterious manuscripts, attempting to create a fictional worldview using hieroglyphs and mystical semiotics.

Depending on the audience's choice, the methods of deciphering and understanding it vary, as tailored.

design
photo creative directed by
photo shot by

03/06/2024

Album artwork for "Posture" 傻子與白痴《姿態》

①裝幀設計篇

「無關乎證明也沒有要貶低，姿態是個中性的詞彙，它代表了我們是什麼樣子，就呈現出什麼樣子的自信。」——傻子與白痴

《姿態》以碎裂的石碑與神秘典籍呈現，試圖用圖騰文字與神秘符號營造架空的世界觀，如何解密與進入作品端看觀者的選擇。

"Posture" is presented with shattered stone tablets and mysterious manuscripts, attempting to create a fictional worldview using hieroglyphs and mystical semiotics.

Depending on the audience's choice, the methods of deciphering and understanding it vary, as tailored.

design
photo creative directed by
photo shot by

11/05/2024

Branding and Graphic Design for 西門大世界 by

①空間延伸物與指標篇

西門盯繁華景象，大山大水造景，猖狂巨石浮雕，藝品店櫥窗，社會主義，反烏托邦工廠，故宮，大樓中庭的透明電梯，錯置的時間與空間⋯⋯以及⋯⋯

野性・帥勁・浪漫・夢幻・柔和・驚奇快樂・震撼・新潮的總匯！

Branding/Graphic Design
Type Design/Lettering .zwz
Creative Direction
Art Direction
Interior
Photo 1/2/3/9/10

04/04/2024

Album artwork for 蘇明淵《心內烏空》

《心內烏空》是台語「內心的黑洞」的意思。將一雙手捧著球體作為專輯主視覺，歌詞本以經書折堆疊穿透的灰色階調紙張，形成「向下凹陷」卻又看似「立體凸出」的視覺效果，與音樂作品概念——內心不同層面的黑洞相作契合。

很興奮第一次做了全台語的專輯作品！我和試著想要找到一種不俗的角度詮釋黑洞——視覺能傳遞「心內」的內斂質地，又呈現一絲台語印象的人文屬性，最終在堆疊數個洞的結構基礎上展開設計。

If you are familiar with the Taiwanese dialect, you probably understand the phrase: “心內烏空”, which directly translates to “the black hole within”—featuring a pair of hands cradling a sphere, in harmony with the project’s notion to explore the various layers of one’s inner abyss.   This album design comes with a lyrics booklet presented with grayscale pages folded like an accordion, with varying sizes of circular die-cuts and the highlighting effects from the contrast of the colours used, it creates a perspective that captures a illusional depth visually going both inwards and outwards.

design
photo Hsuan Ching Hsu
special thanks

24/03/2024

Visual identity design for Cloud Music & Art Festival 後謠景像詩

過去做了不少後搖音樂主題的視覺設計，往往都以地景或抽象視覺去貼合樂種的遼闊空間感與層次，因此很容易出現地平線、海平面、山稜線的元素。這次我試以空拍的視角觀看，看雨林、看雪地、看海島、看雲門，並以近乎符號化的「後謠」、「景像」與「詩」作為觀景窗，創造設計感與後搖印象並存的視覺。

I've done a bit of visual designs for post-rock genre in the past. Usually, I use landscapes or abstract elements to match the genre's sense of space and depth. So, you often see stuff like horizons, sea level, and mountain ridges. This time, I took an aerial perspective, viewing at rainforests, snowscapes, islands, and Cloud Gate. By using simplified “後謠,” “景像,” and “詩” as my viewfinder, I create these visual that blends typo with the impression of post-rock.

design

09/02/2024

Pass the Baton
🐰→🐲
Happy New Year of the Dragon
-
沒什麼吉祥話天份
祝福大家也願自己
保持自我、理解他人、享受挑戰

06/12/2023

2023 台灣創意力100 獎盃設計
Trophy Design for

La Vie以「Human Identity」為題，探討當世界逼近科技奇點，人類創意的特質與價值何在。

獎盃是放在架上很突出，放在家裡很有存在感的物件，有某種彰顯殊榮的意味。呼應主題，決定透過「在現實世界中創造一個數位化物件」這樣的概念來連結我對獎盃功能的想像。

獎盃以幾何、直線、螢光色構成極簡的角錐，在底座安置四個斜面讓獲獎者有擺放角度的選擇，並將La Vie Logo作為設計的一部分，隨機貼花於錐體。

這次的獎盃設計聯動12月號雜誌封面、AR互動設計，以Visual Identity的邏輯建立La Vie的年度盛事，將「科技奇點」比喻為一場爆炸，讓視覺在雜誌封面是靜態的爆炸完全體，在AR是向外輻射的動態，最終在現實世界分裂為一座座的獎盃。

好喜歡做立體的物件😌

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CD
Cover and AR Design .remote
Trophy Design
Trophy Production
Photo

11/11/2023

231028 雙向設計交流論壇2.0
過了兩個禮拜終於有空整理照片～

第一次對200個設計師輸出，超緊張
但每次分享自己就是整理與回顧過去最好的機會
謝謝 .work 的邀請和照顧

設計畢竟是一種與人高度關聯的行為
所以出發馬來西亞前整理分享內容時
我就已經感覺到最大的收穫是在文化的差異之中
強迫得到一次提問自己「我是誰？」的機會
帶著這樣的想法，排列出一套希望讓聽的人也有同樣啟發的簡報內容

期待未來有更多這樣的機會可以和大家分享😌

Design is inherently a highly human-related activity, so as I organized and prepared content before setting out, I already felt that the greatest takeaway lies within the cultural differences, forcing me to question myself, ”Who am I?“ I approach the presentation with this inspiration, arranging a set of slides with the hope that the audience will also have a similar experience.

I look forward to more opportunities in the future to share.

Thanks for having us 🇲🇾
Mix Code
dawg

02/11/2023

Editorial Design/Brand Identity for 5ooMook by 500輯

做liao一本好看的書
拍liao一些好看的照片
感覺不po就會一直躺在電腦裡liao

1-work wife/husband
4-LNB

謝謝賜照
謝謝佳育和500輯
希望大家喜歡這本書

09/03/2023

surfing in the air ✈️✈️ with 雙人飛機

08/03/2023

Vinyl Album design for "TALENT" (designer's cut)

每天都有無數全新的作品在網路上被發表，AI甚至能夠生成視覺與聲音，然而，人們漸漸感知到視覺、聽覺甚至味覺的深淺，大家都在好的作品中學習到新的感官，這無關添加多少畫面細節或是聲音音軌，也絕非往往天然的食材就是最好的味道，而是創作這門古老的手工藝，是生命的經驗，也是增加與刪減的藝術，漸漸地大家都會可以分辨深淺的。

這張專輯的設計，更像是把大部分創作的心力，拿來確定只把哪一件事做好就好的過程；是一趟中間有太多細節，但如果全部都寫下會過於枯燥冗長的長途飛行。這張專輯在講的是直覺、努力與選擇，而視覺上，與其分享它的風格與結果，我更想紀錄經過了哪些探索與奇想，才確定了它就是要長這個樣子；又或者是經過了哪些挑戰，才確定自己只能駕馭多少難度。

（轉頭繼續做稿⋯⋯）

client
AD+D
CG artist
photographer
special thank to

見本生物

23/06/2024

05/06/2024

03/06/2024

11/05/2024

04/04/2024

24/03/2024

09/02/2024

06/12/2023

11/11/2023

02/11/2023

09/03/2023

08/03/2023

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