永真急制 Workshop

永真急制 Workshop 台北民生・高雄駁二
活躍於品牌視覺識別、藝文專案、唱片、出版和公共議題等，團隊作品擅以多元符碼連結當代訊號、傳遞流行文化，從創作源頭涉入更多詮釋和引導，開拓另一種觀看平面視覺與理解的角度。

專案詢問請洽 [email protected]

這瓶水水很水水-巴部農天然鹼性礦泉水 —— 全家超商版Babulong Natural Mineral Water - FamilyMart Exclusive Edition瓶標設計Bottle Label Design
01/06/2026

這瓶水水很水水

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巴部農天然鹼性礦泉水 —— 全家超商版
Babulong Natural Mineral Water - FamilyMart Exclusive Edition

瓶標設計
Bottle Label Design

07/05/2026

林宥嘉 Yoga Lin 《Apples of Thy Eye》液態膠專輯 Liquid Vinyl

包裝設計 Packaging Design

Art Director ── 聶永真 Aaron Nieh、陳聖智 Even Chen
Project Designer ── 王翰偉 Hanwei Wang、陳宇倫 Eden Chen
3D Modeling ＆ Motion Designer ── 陳宇倫 Eden Chen
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Liquid Vinyl 3D Modeling ＆ Motion ── 徐光慧 Sylvia Hsu
Fluid Simulation ── 陳禹盛 Yu Sheng Chen
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Publisher ── 華研國際音樂 HIM International Music Inc.
Year ── 2026
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Liquid Vinyl made in Germany

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林宥嘉第七張錄音室專輯《Apples of Thy Eye》，實體專輯設計以「液態膠」作為音樂載體，並將其具象化數位封面的——眼睛，藉由隨機噴濺效果，產生不同角度、獨一無二的流動光影，呼應「世界上的每一個人都是重要的」的核心概念。實體專輯封面另以洗練簡約的圖案重新詮釋最主要的兩個元素「眼睛」與「蘋果」，創造經典歷久彌新的封面視覺。

整體裝幀以特殊金屬色、燙金、大開版歌詞本、網版印刷、亮膜封套俐落裝進液態膠。視覺起點由 11 個宛如「眼睛」的符號長成一棵隱喻宇宙的基因樹，代表著專輯裡的 11 首曲序，也象徵各式各樣不同的個體源於同一意志、彼此牽引共生。順著脈絡將「視角」與「果核」結合，讓線條在畫面上彼此相連，在這些對稱的圖形裡觀看與被看、創造與重塑，最終呈現一個完整的形體。所有的一切，都在這個眼睛之下被定義、被開始。

The design for Yoga Lin‘s seventh album, ”Apples of Thy Eye,“ reimagines the music medium through ”Liquid Vinyl.“ This materializes the ”Eye“ from the digital cover; through random splashing effects, it creates unique, shifting reflections—echoing the core philosophy that ”everyone in the world matters.“ The physical cover further reinterprets the ”Eye“ and ”Apple“ with refined, minimalist graphics to create a timeless visual identity.
The packaging is expertly crafted, housing the Liquid Vinyl within a sleek combination of metallic inks, gold foiling, screen printing, and gloss-coated finishes. The v

林宥嘉《Apples of Thy Eye》實體專輯我們特別重新設計封面使其更貼合「液態膠」這個載體與尺寸讓無論是陳列或收藏都更具經典價值-已絕版
06/05/2026

林宥嘉《Apples of Thy Eye》實體專輯
我們特別重新設計封面
使其更貼合「液態膠」這個載體與尺寸
讓無論是陳列或收藏
都更具經典價值

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已絕版

林宥嘉 Yoga Lin 《Apples of Thy Eye》液態膠專輯 Liquid Vinyl包裝設計 Packaging Design林宥嘉第七張錄音室專輯《Apples of Thy Eye》，實體專輯設計以「液態膠」作為音樂載體...
06/05/2026

林宥嘉 Yoga Lin 《Apples of Thy Eye》液態膠專輯 Liquid Vinyl

包裝設計 Packaging Design

林宥嘉第七張錄音室專輯《Apples of Thy Eye》，實體專輯設計以「液態膠」作為音樂載體，並將其具象化數位封面的——眼睛，藉由隨機噴濺效果，產生不同角度、獨一無二的流動光影，呼應「世界上的每一個人都是重要的」的核心概念。實體專輯封面另以洗練簡約的圖案重新詮釋最主要的兩個元素「眼睛」與「蘋果」，創造經典歷久彌新的封面視覺。

整體裝幀以特殊金屬色、燙金、大開版歌詞本、網版印刷、亮膜封套俐落裝進液態膠。視覺起點由 11 個宛如「眼睛」的符號長成一棵隱喻宇宙的基因樹，代表著專輯裡的 11 首曲序，也象徵各式各樣不同的個體源於同一意志、彼此牽引共生。順著脈絡將「視角」與「果核」結合，讓線條在畫面上彼此相連，在這些對稱的圖形裡觀看與被看、創造與重塑，最終呈現一個完整的形體。所有的一切，都在這個眼睛之下被定義、被開始。

The design for Yoga Lin’s seventh album, “Apples of Thy Eye,” reimagines the music medium through “Liquid Vinyl.” This materializes the “Eye” from the digital cover; through random splashing effects, it creates unique, shifting reflections—echoing the core philosophy that “everyone in the world matters.” The physical cover further reinterprets the “Eye” and “Apple” with refined, minimalist graphics to create a timeless visual identity.
The packaging is expertly crafted, housing the Liquid Vinyl within a sleek combination of metallic inks, gold foiling, screen printing, and gloss-coated finishes. The visual journey begins with 11 “Eye” symbols forming a “Genetic Tree”—a metaphor for the universe representing the album’s 11 tracks. It symbolizes how diverse individuals originate from a singular will, interconnected and symbiotic. By merging “Perspective” with the “Core,” the lines connect to invite the viewer to see and be seen, defining everything under this watchful Eye.

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Art Director ── 聶永真 Aaron Nieh、陳聖智 Even Chen
Project Designer ── 王翰偉 Hanwei Wang、陳宇倫 Eden Chen
3D Modeling ＆ Motion Designer ── 陳宇倫 Eden Chen
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Product Photographer ── 陳旨謙 Chihchien Chen
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Publisher ── 華研國際音樂 HIM International Music Inc.
Printed House ── 煒揚印刷 Wei Yang Print Plan Agent
Year ── 2026
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Liquid Vinyl made in Germany

會很好聽（刺激）
04/05/2026

會很好聽（刺激）

科研所 涼感濕紙巾 — 《01涼涼》 & 《02冷冷》Shallop Cooling Wipes - “01Cool” & “02Cold”包裝設計、商品命名企劃Packaging Design、Naming Plan此作品為開架涼感濕紙巾...
29/04/2026

科研所 涼感濕紙巾 — 《01涼涼》 & 《02冷冷》
Shallop Cooling Wipes - “01Cool” & “02Cold”

包裝設計、商品命名企劃
Packaging Design、Naming Plan

此作品為開架涼感濕紙巾全新品牌——「科研所」品牌/商品命名及包裝設計。包裝以裸鋁的視覺語彙出發，直接傳達濕紙巾的清涼與純粹，同時呼應品牌的科學研製定位。01、02編號的色彩則各自對應其森林/ 海洋風味，透過螢光特別色轉譯為具辨識度的視覺語言，並建立系列化的一致性。鋁箔的冷冽質感與螢光色形成對比，堆疊出細緻的層次，也進一步強化產品冷/涼而不刺激的獨特性。

科研所×聶永真 聯名設計
7-ELEVEN 獨家上市

This project features the branding, naming, and packaging for a new drugstore cooling wet wipe brand.
The design utilizes a raw aluminum aesthetic to convey purity and a cooling sensation, reflecting the brand’s scientific focus. Functional categories 01 and 02 are distinguished by fluorescent spot colors, creating a high-contrast, systematic visual language. This interplay between cold metallic textures and vibrant tones highlights the product’s unique appeal: a sharp, refreshing chill that remains non-irritating.

Shallop × Aaron Nieh
Now Available Exclusively at 7-ELEVEN, Taiwan

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Art Director ── 聶永真 Aaron Nieh、陳聖智 Even Chen
Designer ── 林智凱 Chihkai Lin
3D Modeling & Motion ── 林智凱 Chihkai Lin
Project Manager ── 林彥君 Janice Lin
Client ── 刷樂 Shallop
Year ── 2026

有美美涼涼酷酷亮亮的讚東西在 7-11 櫃檯陳列架等大家 🧊
28/04/2026

有美美涼涼酷酷亮亮的讚東西在 7-11 櫃檯陳列架等大家 🧊

Collage 珂拉琪 《MEmento·MORI》音樂專輯包裝設計 Music Album Packaging Design〔珂拉琪〕第一張專輯《MEmento·MORI》設計延伸自原串流插圖封面，以三個黃色圓點來寓意Masaccio的作...
14/04/2026

Collage 珂拉琪 《MEmento·MORI》

音樂專輯包裝設計
Music Album Packaging Design

〔珂拉琪〕第一張專輯《MEmento·MORI》設計延伸自原串流插圖封面，以三個黃色圓點來寓意Masaccio的作品〔聖三位一體〕，勾勒出專輯主線——記住你終將一死。

整體視覺從生命經驗連結歷史，構築一幅環繞神靈、時代與死亡的敘事隱喻，在墨黑基底上的三角圖像穩定視覺張力，以極簡且詩意的方式傳遞訊息。另以對開雙折、三等份的歌詞本與設定集裝幀，精確呼應了活著走向死亡之間的一體兩面。

The design for Collage’s debut album, MEmento·MORI, evolves from its original streaming cover art. It features three yellow dots—a symbolic nod to Masaccio’s The Holy Trinity—that trace the album’s central theme: the inevitability of mortality.
Bridging lived experience with historical consciousness, the visual direction constructs a narrative metaphor encompassing divinity, time, and death. Against a deep, ink-black void, a triangular motif anchors the visual tension, delivering its message with a minimalist yet poetic resonance. This concept is further realized through the physical packaging: a three-panel gatefold booklet that serves as a precise reflection of the inseparable duality between living and the journey toward death.

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Art Director ── 聶永真 Aaron Nieh、陳聖智 Even Chen
Project Designer ── 王翰偉 Hanwei Wang
Motion Designer ── 陳宇倫 Eden Chen
Project Manager ── 林彥君 Janice Lin
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Photographer ── 陳旨謙 Chihchien Chen
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Client ── 珂拉琪 Collage
Year ── 2025

Collage 珂拉琪 《Deus Ex Machina 機械降神》音樂專輯包裝設計 Music Album Packaging Design〔珂拉琪〕第二張專輯《Deus Ex Machina》設計是一部關於虛實之間的科幻寓言。承襲〔珂拉...
13/04/2026

Collage 珂拉琪 《Deus Ex Machina 機械降神》

音樂專輯包裝設計
Music Album Packaging Design

〔珂拉琪〕第二張專輯《Deus Ex Machina》設計是一部關於虛實之間的科幻寓言。承襲〔珂拉琪〕多元拼貼的特質，以賽博龐克螢光、蒙太奇圖像及紅藍色隱喻，將性別、種族與非主流群體重組，探討當代社會的躁動與渴望。

視覺核心來自〔機械降神〕—— 即古希臘戲劇用來吊神祇出場的「纜繩」。繩索意象轉化成各種重複、變形的抽象線性符號，象徵命運突兀的解答與扭轉悲劇的反諷。內冊則以車線具象化這條纜繩、縫合文本，回應專輯「降神」主題。

‘Deus Ex Machina’s design unfolds as a sci-fi allegory of the blurred line between reality and the virtual. Consistent with Collage’s signature “multilingual patchwork” ethos, it utilizes cyberpunk neons, montage imagery, and red-blue metaphors to reassemble the histories of gender, ethnicity, and marginalized figures, exploring the restlessness of contemporary society. The visual core centers on the Deus Ex Machina—the “cables” used to lower gods onto the ancient Greek stage. These ropes are transformed into abstract, warped linear symbols, satirizing fate’s abrupt solutions. Inside, physical stitching embodies these cables, literally sewing the text together to echo the theme of Deus Ex Machina.

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Art Director ── 聶永真 Aaron Nieh、陳聖智 Even Chen
Project Designer ── 王翰偉 Hanwei Wang
Motion Designer ── 陳宇倫 Eden Chen
Project Manager ── 林彥君 Janice Lin
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Album Wordmark ── 陳冠穎 GY Chen 《日花》字體 @局外製作社
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Photographer ── 陳旨謙 Chihchien Chen
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Client ── 珂拉琪 Collage
Year ── 2025

guudpin｜Brand Visual Identity Design質定制作｜品牌視覺識別設計此案為空間設計團隊 guudpin（質定制作）之品牌識別重塑設計。以「交集」與「精準」為核心概念，同時回應 guudpin 於空間設計中所展現...
09/02/2026

guudpin｜Brand Visual Identity Design
質定制作｜品牌視覺識別設計

此案為空間設計團隊 guudpin（質定制作）之品牌識別重塑設計。

以「交集」與「精準」為核心概念，同時回應 guudpin 於空間設計中所展現的現代性與邏輯美學，標準字為平衡直橫筆劃對比的無襯線客訂字體；圖形標誌則依「guud」與「pin」的字組寬度（63:37）切分左右比例，以簡明的線條共構與交會。塑造當代、有序且理性的品牌意象。

為強化整體識別系統的一致性，我們更進一步將標準字字體延伸發展為完整字型，應用於官方印刷品及各式延伸製作物，讓品牌識別不只回應形式，更成為能持續應用、傳播與完整支撐的視覺系統。

This project reimagines the brand identity of guudpin (質定制作), a spatial design team where logic meets beauty.

Rooted in the ideas of intersection and precision, the new identity reflects guudpin’s modern, logical approach to spatial aesthetics. The word-mark features a bespoke sans-serif typeface that balances vertical and horizontal contrast. The symbol-mark, built from intersecting lines, follows a 63:37 left-to-right ratio—mirroring the width of “guud” and “pin”—to create a contemporary, orderly, and rational brand expression.

To ensure consistency across the system, the logotype was expanded into a full set of custom letterforms, applied across print and collateral. This transforms the identity from a static mark into a flexible, cohesive visual system—designed for clarity, continuity, and communication at every touchpoint.

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Art Director ── 聶永真 Aaron Nieh、陳聖智 Even Chen
Project Designer ── 林智凱 Chihkai Lin
Motion & Mockup ── 林智凱 Chihkai Lin
Project Manager ── 林彥君 Janice Lin
Client ──
Year ── 2025

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