Videopro Romania, Boulevard Lacul Tei, Bucharest (2026)

22/07/2022

Introducing ultra portable live production with advanced broadcast features: ATEM SDI

A New Generation of Ultra Portable Live Production!
ATEM SDI gives you the portable design of ATEM Mini, but its SDI connections means you can connect advanced broadcast quality cameras and recorders. This opens up a whole new world of ultra portable live production. The incredibly portable design means you can fit a whole broadcast quality live production system in a small bag or even a backpack! You can use multiple cameras on location and live stream direct to YouTube, or create a broadcast quality link back to a studio with ATEM Streaming Bridge. Unlike single camera remote shoots, ATEM SDI lets you connect multiple cameras so you can create interesting remote interviews with multiple camera angles.

Self Contained Broadcast Quality Switcher
ATEM SDI’s compact all in one design includes both a control panel as well as connections. The front panel includes easy to use buttons for selecting sources, video effects and transitions. The source buttons are large so it’s possible to use it by feel, letting the presenter do the switching! You even get buttons for audio mixing! The ATEM SDI Pro and Extreme models have buttons for recording and streaming control, as well as output selection buttons that let you change the video output between program, direct camera feeds and the multiview. On the rear panel there are SDI connections for cameras, extra microphone inputs, USB for we**am plus multiple SDI "aux" outputs for program video.

Three Great ATEM SDI Models!
ATEM SDI
ATEM SDI is fast to set up and easy to use. It includes 4 standards converted SDI inputs, USB we**am, 2 SDI outputs, Fairlight audio mixer with EQ and dynamics, DVE for picture in picture, transition effects, green screen chroma key, 20 stills media pool for titles and free ATEM Software Control.

ATEM SDI Pro ISO
This model includes the features of ATEM SDI plus it adds built in streaming and recording to 5 video streams in real time! That's a clean feed of all inputs for multi‑cam editing! A DaVinci Resolve project is saved so you can open your live production to edit, remix audio and add color correction!

ATEM SDI Extreme ISO
This model includes all the features of ATEM SDI Pro ISO model but has 8 SDI inputs and 4 SDI outputs. It can record 9 separate H.264 video streams in real time, allowing capture of all 8 clean feed inputs as well as the program video. A DaVinci Resolve project file is also saved.

Connect up to 8 Broadcast Cameras
With 4 or 8 video inputs, depending on the model, ATEM SDI lets you connect multiple cameras for different views of the performance. Video cameras with SDI outputs such as Blackmagic Studio Camera or Blackmagic URSA Broadcast G2 are much better quality as they have better low light performance and they use professional lenses. All video sources will re-sync to the switcher, even if they operate at different video standards. Everything just works so setup on location is easy and you don't have to worry about technical problems. Imagine taking advantage of the creative freedom of multi camera live production for interviews, advertorials, theater production, music performances, sports and more!

Outputs We**am for Video Software!
To ensure maximum compatibility, all ATEM SDI models feature USB that operates as a simple we**am source. That means you can plug into a computer and get working with any video software! The software is tricked into thinking the ATEM SDI is a common we**am, but it's really a live production switcher. That guarantees full compatibility with any video software and in full resolution 1080HD quality. Choose any software you like, such as Zoom, Microsoft Teams or Skype for a new way to do presentations with a professional multi camera broadcast quality style! The ATEM SDI we**am output also works with streaming software such as Open Broadcaster, XSplit Broadcaster and more!

Live Stream via Ethernet on ATEM SDI Pro
ATEM SDI Pro and ATEM SDI Extreme models have a built in hardware streaming engine for live streaming via their ethernet connections. That means you can live stream to YouTube, Facebook and Twitch in better quality, without dropped frames and with simpler settings. Just select the streaming service and enter the streaming key! There are palettes in ATEM Software Control for streaming setup, plus streaming status is also displayed in the multiview. Streaming status is easy to understand as the data rate indicator shows internet speed required for the video format you're using. If you're technically minded, you can update the streaming profiles in an XML settings file to load new services.

Connect 5G or 4G Phones for Mobile Data
If you’re doing live production on location then the ATEM SDI Pro and Extreme models support connecting an Apple or Android phone to the USB port to use mobile data! It's also a great backup for the main Ethernet connection. Phone tethering works with the latest high speed 5G phones plus the more common 4G phones! The ATEM switcher will automatically detect when a phone is connected and switch its internet connection to use it, eliminating the need for changing settings. When connected, the phone will power from the USB port so it remains charged from the switcher. By using phone tethering for mobile data, ATEM SDI Pro and ATEM SDI Extreme become the perfect mobile production solutions!

Record Direct to USB Flash Disks with ATEM SDI Pro
The ATEM SDI Pro and Extreme models also support direct recording of your streaming data to USB flash disks! That means you get very long recordings in the same H.264 video files with AAC audio that you streamed, so you can direct upload to any online video site, such as YouTube or Vimeo. Recording to multiple disks is also supported via a USB hub so when a disk fills, recording can continue to a second disk so you get non-stop recording. Record settings and disk selection are set up in ATEM Software Control and you can also display the recording status in the multiview.

Edit Live Production with Separate ISO Recordings!
The ATEM SDI Pro ISO and Extreme ISO models allow you to edit your live event as they can record multiple video streams, including clean feeds of all inputs and program, all at the same time! Media pool images used are also saved with the video files. The video files include metadata tags such as synced timecode and camera numbers. Imagine re-editing your show with new color grades, effects and graphics! Even the audio sources are all recorded so you can professionally remix your audio!

Edit Live Production in DaVinci Resolve
The ISO models also save a DaVinci Resolve project file, so with a single click you can open your live production as a video edit. All cuts, dissolves and media pool graphics will be loaded. This means you can fine tune edit points or even completely replace shots! The DaVinci Resolve Sync Bin lets you edit shots via a multiview interface, so it's easy to use and fast! All ISO files will be automatically aligned by timecode, so you can scroll along and see all camera angles perfectly synced.

Add Exciting Video Effects
One of the benefits of ATEM SDI is the professional production values that are possible using the range of built in video effects! The cut button ensures an instant cut when switching between sources. The auto button is a professional term that's used on large broadcast switchers to enable video effect transitions. There are duration buttons for video effects allowing 0.5, 1, 1.5 and 2 second settings. You can also select the type of effect you want including mix, which does a smooth transition between sources, and dip which fades via a color during the transition. Or use fun DVE effects that move the image off screen when transitioning between sources!

Work with Professional Microphones
With two independent 3.5mm stereo audio inputs, you can connect desktop and lapel microphones. You can even connect a music player to generate introduction music after the live stream commences but before the program starts. With 2 extra stereo audio inputs, you can ensure a host and guest both have lapel microphones when doing interviews. All audio inputs to ATEM SDI include buttons on the panel for adjusting audio level and enabling inputs into the audio mixer. Plus all models feature a Fairlight audio mixer with all SDI inputs and both microphone inputs connected to the audio mixer allowing live mixing from all your audio sources. The ATEM SDI Extreme also adds a headphone output.

Automatically Converts Any SDI Input Format
Each 3G-SDI video input features its own dedicated standards converter. That means ATEM SDI will automatically convert 1080p, 1080i and 720p sources to the switcher video standard! By default the switcher will set its video format automatically, however you can also set the switcher to any video standard manually! The SDI outputs are a true "aux" outputs so you can independently customize the source video routed to each SDI output. All outputs can be connected to cameras as they include camera control and tally information. On the more powerful ATEM SDI Pro and ATEM SDI Extreme models, the SDI output can also be selected to display the built in multiview.

Secret Broadcast Features Built In!
While ATEM SDI is easy to use, it also has very powerful high end broadcast features! ATEM SDI is even perfect for training new live production crews as it has the same features as the massive switchers used in large broadcast studios. You get an ATEM Advanced Chroma Key, Fairlight audio mixer, DVE, still store for graphics and much more! Simply run the free ATEM Software Control app on Mac or Windows while connected via USB or Ethernet to access the extended features of the ATEM SDI. With a little experimentation you can learn how to produce broadcast quality live production. Only ATEM SDI is a true broadcast switcher hidden in a tiny and affordable design!

Powerful SuperSource Processing!
In addition to 2 independent DVEs in the ATEM SDI Extreme models, there's also a powerful SuperSource multi layer processor with 4 extra DVE layers plus a background layer, that all appear to ATEM SDI Extreme as an additional input source. Any ATEM SDI Extreme video input can be used for each SuperSource DVE, then it’s all layered together over a media pool custom background. SuperSource is perfect for doing multiple picture in picture displays with people being interviewed because you can set up the effect before putting it to air, still keeping both main DVEs free for other tasks. SuperSource is just like having an extra multi-layer VFX switcher built in!

09/06/2022

Blackmagic Design European Summer Tour 2022

Register now for the Blackmagic Summer Tour! We have released major upgrades to our products over the last 2 years so this is a fantastic opportunity to see what’s new! See the new ATEM Mini Extreme models working with the new Blackmagic Studio Cameras. See the new ATEM Constellation HD switchers working with the new URSA Broadcast G2 cameras. Plus we'll be showing the new Blackmagic Cloud and collaborative workflow that lets multiple DaVinci Resolve users work on the same project, all at the same time, anywhere in the world! This event is a chance to chat with the Blackmagic Design team and to discuss new workflows in a relaxed environment. Space is limited, so please register now!
Workshop Timetable
Each workshop is 45 minutes in duration.

10:00
Live Production Cameras
This session will explore the features of Blackmagic URSA Broadcast G2 and Blackmagic Studio Camera 4K, demonstrate the new Blackmagic Zoom and Focus Demands and show you how to control your camera using ATEM Software Control or an ATEM Camera Control Panel.

11:30
Digital Filmmaking
Discover the similarities and differences between the Blackmagic Pocket Cinema Camera 4K and 6K models and find out more about the benefits of using Blackmagic RAW in your workflow. We'll demonstrate everything from setting up the camera to working with the dual ISO sensor.

13:00
DaVinci Resolve Collaboration
Discover how DaVinci Resolve 18 supports Blackmagic Cloud, making it possible to work on the same timeline with creative artists all over the world! You’ll also learn how to combine this workflow with the new Blackmagic Cloud Store for high performance network storage with global sync!

14:30
Live Stream with ATEM Mini
In this workshop we'll demonstrate the ATEM Mini ISO workflow that provides a clean recording of all inputs and a saved project file that can be opened in DaVinci Resolve. Now you can take your live production into post production for additional creative work and delivery options.

16:00
Blackmagic RAW Workflow
The combination of Blackmagic RAW, Blackmagic URSA Mini Pro 12K and DaVinci Resolve gives you unrivalled quality from acquisition through to post production. In this session we’ll look at how oversampling from 12K gives you the best 8K and 4K images with subtle skin tones and extraordinary detail.

This link gives you an opportunity to register for the event and the location.

https://www.eventbrite.co.uk/e/blackmagic-design-summer-tour-2022-prague-tickets-352586183767

26/04/2022

Blackmagic Cloud Store Mini - High Performance Network Storage with Global Sync

The Blackmagic Cloud Store Mini is a fast network storage solution in a compact rack mount design. It features a high speed 10G Ethernet connection and four internal M.2 flash memory cards operating in parallel RAID 0 for extremely fast file access. It’s fast, even with lots of simultaneous users all accessing files at the same time! With Dropbox live sync, files can be distributed between multiple units globally, for very fast local file access, even on lower cost internet connections. Plus you don't need IT consultants as it's easy to use. There's even an HDMI monitor output! Blackmagic Cloud Store Mini is the perfect solution for storing and sharing files on your network!

Designed for Film and Television
Blackmagic Cloud Store Mini is the perfect network storage solution for any use! It's great for film and television where large media files need to be shared between multiple users for editing, color correction, audio post and VFX work. It even handles massive 12K Blackmagic RAW digital cinema files! Each user gets zero latency and they don't need to store files on their local computer. It’s the perfect solution for DaVinci Resolve! Dropbox sync allows multiple disks to be synchronized in different locations globally. Then each location gets the fastest editing experience possible. That’s critical for multicam editing where multiple media files are playing simultaneously!

26/04/2022

Blackmagic Cloud Store - High Performance Network Storage with Global Sync

The Blackmagic Cloud Store is a very fast high capacity network disk that's designed to handle large media files used on Hollywood feature films. The design uses advanced flash memory so it easily handles lots of simultaneous users. Plus it's extremely easy to set up! With Dropbox live sync, files can be distributed between multiple units globally for very fast local file access, even on lower cost internet connections. Unlike SAN systems, you don't need IT consultants and there are no subscription fees. There's even an HDMI monitor output with real time storage status! All this means you get much better features than discount storage products sold at office supply stores.

Designed for Film and Television
Blackmagic Cloud Store is the perfect network storage solution for any use! But it's perfect for film and television where large media files need to be shared between multiple users for editing, color correction, audio post and VFX work. It even handles massive 12K Blackmagic RAW digital cinema files! Each user gets zero latency and they don't need to store files on their local computer. It's the perfect solution for DaVinci Resolve! Dropbox sync allows multiple disks to be synchronized in different locations globally. Then each location gets the fastest editing experience possible. That’s critical for multicam editing where multiple media files are playing simultaneously!

26/04/2022

Introducing ATEM Constellation HD, the world's most powerful HD live production switchers! These incredibly powerful HD switchers are available in 3 great models, including a 1 M/E model with 10 inputs, a 2 M/E model with 20 inputs and a massive 4 M/E model with 40 inputs! Plus each SDI input features a full standards converter! ATEM Constellation includes advanced features such as DVEs, ATEM advanced chroma keyers, media players, multiviews, and SuperSource processors! Plus the built in Fairlight audio mixer includes a compressor, limiter, 6 band parametric EQ and expander on each input. The free ATEM Software Control is included, or you can add a 1 M/E, 2 M/E or 4 M/E ATEM Advanced Panel!

Seriously Advanced Broadcast Power
ATEM Constellation HD switchers feature a compact rack mount design with a built in control panel. This allows operation of the switcher, critical during setup or for emergency use. Also included is a large LCD so you can see program output and change switcher settings via on screen menus. The compact design is perfect for portable live production, with the rear of the switcher including the connections for 3G-SDI inputs, 3G-SDI aux outputs, balanced audio and Ethernet for control. The top 4 M/E model even includes RS-422 for serial control and MADI digital audio connections. Even with all this power, ATEM Constellation is extremely quiet with its innovative high efficiency thermal system.

3 Powerful Models:
ATEM 1 M/E Constellation HD
Powerful 1 M/E live production switcher includes 10 standards converted 3G-SDI inputs, 6 x 3G-SDI outputs, DVE, 4 chroma keyers, a 16 way multiview, media players, talkback and USB we**am output.

ATEM 2 M/E Constellation HD
The 2 M/E model doubles the features of the 1 M/E model with 20 x 3G-SDI inputs, 12 x 3G-SDI outputs, 2 DVEs, 8 ATEM Advanced Keyers, 2 multiviews and a SuperSource for a total of 6 DVEs.

ATEM 4 M/E Constellation HD
The massive 4 M/E model doubles the features of the 2 M/E model with 40 x 3G-SDI inputs, 24 x 3G-SDI outputs, 4 DVEs, 16 ATEM Advanced Keyers, 4 multiviews and 2 SuperSource for 12 x DVEs in total.

12/10/2021

DaVinci Resolve and DaVinci Resolve Studio 17.3.2 Update

This software update adds support for Blackmagic RAW 2.2, improved stability when using the color warper tool and better highlight rendering in the wide gamut color space. This update also adds improvements to clip naming functionality in Fairlight and more consistent loading of EQ and automation adjustments, as well as general performance and stability improvements.

What's new in DaVinci Resolve 17.3.2 ?

Support for Blackmagic RAW SDK 2.2.
Addressed instability issues when using the color warper.
Addressed incorrect HDR highlight when using DaVinci Wide Gamut.
Addressed a naming issue for recorded clips in the Fairlight timeline.
Addressed incorrect reloading of cached audio effects on linked tracks.
Addressed missing EQ and other automation issues in Fairlight.
Addressed incorrect Fairlight Spaceview display for specific AMD drivers.
Addressed potential freezes after using Fusion tracker modifiers.
Addressed a Fusion planar transform issue on small images.
Addressed an issue with uploads for renders on Apple Silicon systems.
Addressed an issue with the classic stabilizer on Apple Silicon systems.
Addressed an issue with LUT generation on Apple Silicon systems.
Addressed out of order frames when decoding certain XAVC clips.
Addressed an issue with importing malformed CLF LUTs.
General performance and stability improvements.

Fusion Studio 17.3.2 Update

This software update adds improved stability when using tracker modifiers, better planar transform performance, and more reliable saving of Fusion settings. This version requires a Fusion Studio activation key or license dongle.

What's new in Blackmagic Fusion Studio 17.3.2?

Support for Blackmagic RAW SDK 2.2.
Addressed potential freezes after using tracker modifiers.
Addressed a planar transform issue on small images.
Addressed an issue with verbose logging.
Addressed a failure to save Fusion settings on new installs.
General performance and stability improvements.

Blackmagic RAW 2.2 Update

This software adds support for Blackmagic RAW clips recorded by Blackmagic Video Assist 12G HDR from Fujifilm GFX100 and GFX100S as well as Panasonic Lumix GH5S, BGH1and DC-BS1H cameras. This update also includes Premiere Pro plugin performance and stability improvements.

What's new in Blackmagic RAW 2.2 ?

Added support for Fujifilm GFX100 and GFX100S Blackmagic RAW clips captured by Blackmagic Video Assist.
Added support for Panasonic Lumix GH5S, BS1H and BGH1 Blackmagic RAW clips captured by Blackmagic Video Assist.
Blackmagic RAW Adobe Premiere Pro plugin performance and stability improvements.

20/08/2021

Blackmagic Design Announces DaVinci Resolve 17.3

Blackmagic Design today announced DaVinci Resolve 17.3 which adds support for a completely new processing engine that transforms the speed of DaVinci Resolve to work up to 3 times faster on Apple Mac models with the M1 chip. With this massive speed increase, customers can now play back, edit and grade 4K projects faster, and can even work on 8K projects on an Apple M1 notebook. The new processing engine uses tile based rendering, which also gives customers up to 30% longer battery life on laptop computers when working in DaVinci Resolve.

DaVinci Resolve 17.3 is available for download now from the Blackmagic Design website.

DaVinci Resolve 17.3 also supports a new option on Mac computers with M1 for H.265 hardware encoding. Customers can choose to prioritize speed vs quality when rendering, further improving render times up to 65%. Plus, DaVinci Resolve will now decode AVC Intra files using the media engine built into the Apple M1 chip, making decoding and playback faster when working with these file formats.

New Resolve FX controls have been added, such as new grid shapes and greater control when using mosaic blur, allowing customers to more precisely adjust the amount and appearance of pixellation. Keyer garbage mattes now have rotation controls, making it easier to remove unwanted items from view while new saturation and gamma controls on the glow plugin allow greater control and subtlety over lighting effects. Aperture diffraction in DaVinci Resolve Studio has new anamorphic aperture controls which allow a wider range of lenses to be emulated.

Fairlight audio also has improvements in latency with new drivers that allow adjustments to the input buffering and processing latency. This allows optimization of the process for customer specific hardware, which makes recording and playback easier and smoother. Better Fairlight export dialog means customers can export selected clips or tracks directly from the Fairlight page and include clip levels, fades, EQ and effects or iXML metadata as well as being able to normalize clips to match different loudness standards. This makes it easier and faster to pass on audio for further processing or inclusion in a larger project.

DaVinci Resolve 17 has over 300 new features and improvements including HDR grading tools, redesigned primary color controls, next generation Fairlight audio engine including Fairlight audio core and support for 2,000 real time audio tracks, plus dozens of other time saving tools for editors including a redesigned inspector, new bin sorting and metadata clip views.

“This is truly an amazing update that gives customers huge performance and power efficiency gains on Mac models with M1, and it totally transforms your computer, simply by downloading this free of charge DaVinci Resolve software update” said Grant Petty, Blackmagic Design CEO. “This speed increase is stunning and it’s hard to believe. I have not seen a speed improvement this large since the original 68000 to Power PC transition back in the 1990's and it is just amazing. Who would have thought just a year ago that multiple 4K streams could be played back and edited natively on a MacBook Air, but it’s easy now on DaVinci Resolve with M1. The engineering team has worked so hard on this new image processing engine for DaVinci Resolve, and it is an incredibly exciting time to be developing software for the Mac!”

DaVinci Resolve 17.3 Features:
🎞 Apple Silicon Performance:
- Up to 3x faster new processing engine enabling 8K edit and grading.

🎞 Fairlight:
- Improved thru-latency and adjustable processing and input buffers.
- Improved export dialog with naming, metadata and format control.
- Timeline clips can be selected from the Fairlight edit index.
- Improved Fairlight timeline ruler resolution.
- Buses can be reordered by dragging in the track index.
- New audio I/O preference options with support for separate I/O selections.
- Improved mix-down support for LRC, 5.0 and 7.0 track formats.
- Improved edit, nudge and fade behavior for linked clips.

🎞 Color:
- Color Warper supports persistent default grid resolutions.
- HDR color controls support persistent default zone presets.
- Active playheads can be switched by clicking on the split screen viewer.
- New anamorphic aperture controls for Resolve FX Aperture Diffraction. Studio only.
- New shapes and finer mosaic control for Resolve FX Mosaic Blur.
- New rotation controls for Resolve FX Keyer garbage mattes.
- New sat and gamma controls and faster performance for Resolve FX Glow.

🎞 Cut:
- List views in the media pool can be sorted from column selection.
- New badge to easily identify still clips on the timeline.

🎞 Edit:
- Edits from sub-clips can now be match-framed to original media.
- Shape and iris transitions can be rotated from the inspector.
- Play around selection now works with transition selections.
- Newly added subtitles retain playhead position to allow text preview.
- Compound clip instances in the timeline can be renamed.
- Fusion compositions can be renamed from the inspector panel.
- Options to name and use full clip extents when creating a subclip.

🎞 Fusion:
- DRFX bundles can be double-clicked to install on Windows and Linux.
- Support for viewing the node type by holding Ctrl/Cmd-Shift-E.

🎞 Codecs and Deliver:
- DaVinci Resolve Studio support for audio encoding in the encoder plugin SDK.
- Hardware accelerated AVC Intra decodes for on Apple Silicon.
- Support for decoding and encoding JPEG-HT .JPH image sequences.
- Improved H.264 and H.265 decode performance in Windows Intel systems.
- Optimized H.265 encodes for speed on Apple Silicon systems.
- Support for decoding MKV clips with VP9 video codecs.
- Improved decode performance for MKV clips with AAC and AC3 audio.
- Support for embedding MPEG2 bitstream captions in XDCAM clips.

🎞 General:
- Improved startup speeds for disk databases with many projects.
- Support for simplified database creation and connection process.
AAF imports now support translation of simple nested clips.

20/08/2021

Blackmagic Design Announces
New Low Price for Blackmagic URSA Mini Pro 12K

Blackmagic Design today announced a new lower price for the Blackmagic URSA Mini Pro 12K of US$5,995 (5.085Euro). This price reduction has been made possible by efficiencies in manufacturing combined with an improved supply of 12K sensors. However with the new rendering engine in DaVinci Resolve 17.3, showing speed improvements up to 3x when working in 4K and 8K resolutions, the new lower price will make high resolution workflows more accessible. This is an exciting innovation because it transforms high resolution workflows and makes them much lower cost. With this new low price for Blackmagic URSA Mini Pro 12K, a much wider range of customers will have access to feature film production.

Blackmagic URSA Mini Pro 12K is a revolution in digital film with a 12,288 x 6480 12K Super 35 sensor and 14 stops of dynamic range, built into the award winning URSA Mini body. The combination of 80 megapixels per frame, new color science and the flexibility of Blackmagic RAW makes working with 12K a reality. Oversampling from 12K gives customers the best 8K and 4K images with the subtle skin tones and extraordinary detail of high end still cameras. Customers can shoot at 60 fps in 12K, 120 fps in 8K and up to 240 fps in 4K Super 16. URSA Mini Pro 12K features an interchangeable PL mount, as well as built in ND filters, dual CFast and UHS-II SD card recorders, a SuperSpeed USB-C expansion port and more.

URSA Mini Pro 12K’s extreme resolution goes well beyond traditional motion picture film. Customers get the benefits of shooting with film including incredible detail, wide dynamic range and rich, deep color. Perfect for feature films, episodic television and immersive, large format IMAX. The incredible definition around objects makes it ideal for working with green screen and VFX including compositing live action and CGI. Super sampling at 12K means customers not only get better color and resolution at 8K, but also a smoothness that comes from making aliasing invisible.

The Blackmagic URSA Mini Pro 12K features a revolutionary new sensor with a native resolution of 12,288 x 6480, which is an incredible 80 megapixels per frame. The Super 35 sensor has a superb 14 stops of dynamic range and a native ISO of 800. The new 12K sensor has equal amounts of red, green and blue pixels and is optimized for images at multiple resolutions. Customers can shoot 12K at 60 fps or use in-sensor scaling to allow 8K or 4K RAW at up to 120 fps without cropping or changing their field of view. URSA Mini Pro’s interchangeable lens mount lets customers choose from the widest range of vintage and modern cinema lenses, so customers can capture every ounce of character and detail from their favorite optics.

The URSA Mini Pro 12K sensor and Blackmagic RAW were designed together to make 12 bit RAW workflows in 12K effortless. As an incredibly efficient next generation codec Blackmagic RAW lets customers shoot 12K and edit on a laptop, a capability that simply isn’t possible with other codecs. The massive resolution of the sensor means you can reframe shots in post for delivery in 8K and 4K. It’s like a multi camera shoot with only one camera. And it’s perfect for great looking vertical and square video, too. The advanced design of the sensor and Blackmagic RAW means that customers can work in any resolution in post production instantly, without rendering, while retaining the full sensor’s color accuracy.

Only Blackmagic RAW makes cinema quality 12-bit, 80 megapixel images at up to 60 frames a reality. Constant quality Q0 and Q5 options and new Q1 and Q3 lock the quality level, allowing compression to adapt, matching the detail of the scene. Constant bitrate encoding options 5:1, 8:1, 12:1 and the new 18:1 are designed to give customers the best possible images with predictable and consistent file size. Customers can record RAW to two cards simultaneously so customers can shoot 12K or 8K to either CFast or UHS-II cards, even at high frame rates. Blackmagic RAW stores camera metadata, lens data, white balance, digital slate information and custom LUTs to ensure consistency of image on set and through post production.

Shooting RAW in 12K preserves the deepest control of detail, exposure and color during post. Oversampling means customers get extremely sharp 8K without harsh edges. Best of all, Blackmagic RAW is designed to accelerate 12K for post production, making it as easy to work with as standard HD or Ultra HD files. It is highly optimized, multi‑threaded, works across multiple CPU cores and is also GPU accelerated to work with Apple Metal, CUDA and OpenCL. So customers can always work with their camera RAW files without having to make proxies. Blackmagic RAW 12K images provide unprecedented resolution and quality for color, keying, compositing, reframing, stabilization and tracking in 4K or 8K.

Blackmagic Generation 5 Color Science features a new film curve designed to make full use of the massive amount of color data from the new URSA Mini Pro 12K sensor. This delivers even better color response for more pleasing skin tones, and better rendering of highly saturated colors such as neon signs and car tail lights in high contrast scenes. Generation 5 Color Science informs complex Blackmagic RAW image processing, with color and dynamic range data from the sensor preserved via metadata for use in post production. Compatible with all previously shot Blackmagic RAW files, Generation 5 Color Science lets customers take advantage of the new film curve even with their existing work.

URSA Mini Pro 12K is multiple cameras in one, shooting standard resolutions and frame rates in 4K, 8K and even insanely detailed 12K. With a massive 80 megapixels per frame at 60 fps in RAW customers can capture perfect stills and motion shots in a single camera at the same time. Customers can shoot up to 60 fps in 12K 12,288 x 6480 17:9. For higher frame rates, customers can shoot 120 fps at 8192 x 4320, 160 fps at 8192 x 3408 and even window the sensor to Super 16 to capture 4K at an incredible 240 fps at 4096 x 2160 DCI. URSA Mini Pro 12K has flexible frame rate and resolution options, and captures with improved motion rendering which means that customers get smoother edges in 8K and 4K even at lower frame rates.

Different projects require different lenses which is why URSA Mini Pro features an interchangeable lens mount. Customers can quickly switch between PL, EF and F mount lenses on the URSA Mini Pro 12K. That means customers can work with high quality large PL cinema lenses, EF or F mount photographic lenses making URSA Mini Pro compatible with the widest possible range of professional lenses.

URSA Mini Pro includes a full version of DaVinci Resolve Studio. Customers get the world’s most advanced solution that combines professional editing, color correction, audio post and visual effects all in one software tool. DaVinci Resolve is used to finish more Hollywood feature films than any other solution, so users will get the best possible post production tools to edit native video from their camera and retain every bit of quality. Whether users are working on major Hollywood feature films, episodic television, music videos, commercials or even the latest YouTube shoot, DaVinci Resolve Studio gives customers a completely lossless workflow for native editing, color correction, effects, audio and delivery.

“Since we released Blackmagic URSA Mini Pro 12K last year, we have been working hard to increase the supply of sensors and make improvements in our manufacturing processes to help reduce costs", said Grant Petty, CEO, Blackmagic Design. “This new lower price, combined with the incredible 3x faster speed of DaVinci Resolve makes high resolution 4K and 8K workflows more accessible. It’s totally mind blowing that you can edit high resolution 8K in DaVinci Resolve, on an Apple M1 notebook!”

Blackmagic URSA Mini Pro 12K Features:
- 12,288 x 6480 12K Super 35 sensor.
- Use for feature films, VFX and high end TVCs.
- 14 stops of dynamic range and native 800 ISO.
- New Blackmagic RAW for real time 12K editing.
- Blackmagic RAW optimized for Metal, CUDA and OpenCL.
- Generation 5 Color Science with new film curve.
- Shoot up to 60 fps in 12K, 120 fps at 8K and 240 fps at 4K.
- Dual card CFast recording at up to 900MB/s.
- PL mount included and optional EF and F lens mounts available.
- SuperSpeed USB-C for recording to external disks.
- Includes DaVinci Resolve Studio for post production.
- Compatible with new Blackmagic URSA Mini Recorder.

Videopro Romania

22/07/2022

09/06/2022

26/04/2022

26/04/2022

26/04/2022

12/10/2021

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