Solid Electronics México

11/08/2026

BURL BLACK CON 15% DE DESCUENTO HASTA SEPTIEMBRE 7 2026! LO VAS A DEJAR PASAR?

11/08/2026

Es el único equipo que hemos usado y que hemos descubierto que no solo limpia el sonido pero hace que la fase de los equipos de sonido sea perfecta. Es notorio el cambio y EquiTech es una marca que hace una diferencia real en el sonido.

Si transformador parte la señal eléctrica en dos, invierte uno de los lados y elimina el ruido que sobra. Es simple, pero también único ya que su diseño patentado es exclusivo.

07/08/2026

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Acclaimed British musician and producer William Orbit has died at the age of 69, it’s been confirmed.

News of Orbit’s death was broken in a statement posted by his family and friends on his social media channels, which confirmed that he died at home on 23 July.

“We are deeply saddened by his passing,” it reads. “He will be greatly missed by us and by so many whose lives he touched through his music, friendship and kindness.”

Perhaps most famous for producing Madonna’s 1998 album Ray Of Light – widely regarded as one of the best of her career – he also did notable work with Blur and British girl band All Saints. Alongside his production work, Orbit released a consistent stream of solo albums, the last of which, The Painter, came out in 2022.

Orbit’s golden period came in the late ‘90s and early ‘00s. After Ray Of Light had reinvigorated Madonna’s career and turned Orbit into a household production name – hits from the record included the title track, Frozen, Drowned World/Substitute for Love and The Power of Goodbye – he was invited by Blur to give their sound a makeover. The result was 1999 album 13, which featured the singles Tender and Coffee & TV.

Once again, Orbit had helped an artist to create some of the best music of their career, and he went on to work similar magic with All Saints, producing Pure Shores and Black Coffee from their 2001 album, Saints & Sinners.

Orbit's biggest solo release was his reworking of Barber's Adagio for Strings, from 1995's Pieces In A Modern Style, with the Ferry Corsten remix of the track becoming a massive club hit.

Hit the link in the comments to read more 🔗

25/07/2026

El verde es vida. Circuitos Clase A. Preserva la integridad de tu señal eléctrica a la hora de grabar y reproducir. Basta con que lo comparares contra cualquier interfaz de audio para darte cuenta. Disponible en México con nosotros. BURL Audio

09/03/2026

MADI de RME. Conecte 64 canales de E/S a una Fireface UFX III o MADIface USB con la mínima latencia y la máxima fiabilidad.

Dato curioso: alrededor de 2002, MADI era simplemente un protocolo de transmisión costoso con aplicaciones limitadas en el mundo de la música y el directo.

Los desarrolladores de RME, que también trabajan como ingenieros profesionales de grabación de música clásica (“Tonmeister” en alemán), pensaron que sería perfecto usarlo desde el escenario hasta el/los ordenador(es) de grabación principal o un mezclador FOH.

De esta forma, se podrían colocar docenas de micrófonos dentro de una orquesta o en el escenario y transmitir con cero latencia y redundancia.

Esto también posibilitaría las pruebas de sonido virtuales, por lo que ya no sería necesario que la banda viniera por la tarde a comprobar el sonido en el escenario. Simplemente se reproducirían todas las pistas del concierto anterior desde la DAW a los monitores del escenario a través de los canales MADI.

En 2003, RME lanzó la primera tarjeta de audio con E/S MADI de 64 canales y extensores profesionales de E/S MADI (ADI-648, Micstasy, ADI-8 QS, ADI-6432...).

MADI pronto se convirtió en un éxito rotundo. Todos los grandes conciertos en vivo utilizan MADI por completo y el protocolo fue adaptado por todos los grandes fabricantes, desde consolas de mezclas FOH hasta todo tipo de equipos de grabación.

Más información sobre MADI: www.rme-audio.de/rme-madi-technology.html

20/01/2026

Sound On Sound published an eye opening article this month about USB technology for audio interfaces. Besides the explanation, why RME interfaces perform better, it also compares USB to Thunderbolt and explains the USB-C connector.
More about the RME perspective:
- USB-C is great, but brings no performance improvements (except it can deliver more power). RME interfaces in the US come with a USB-C adapter cable, but the interface connector is still USB-B, as requested by most users. The larger port is much more stable for mobile and live setups. If the interface falls or a USB cable is pulled, a USB-C connector slips out or breaks much more easily. Anyway, this could change for future interfaces.
- Thunderbolt on paper has performance advantages, as it is directly connected to the internal bus. But as Sound On Sound writes, RME's unique USB solution, which combines a very sophisticated USB low level implementation with custom drivers, matches most Thunderbolt solutions in latency and is perfectly stable and reliable.
- The RME USB solutions works identically for Mac, Windows, iPad and provides the essential USB Class Compliant Mode. RME USB interfaces also work with most legacy or budget computers/notebook by simply plug and play the cable to any lousy USB2 port. Most importantly: USB by RME can be supported over the lifetime of the interface with drivers and flash updates (+15 years). Just install the new TotalMix FX, which is a free update for all RME interfaces with TotalMix from the last 20 years. All of these points are not possible with TB.
- All in all, the additional Thunderbolt licensing problems, the limited availability of Thundebolt chips and the higher costs of building and maintaining such a solution are not worth a latency advantage of 0.5 ms, when every RME USB system already provides 3 ms roundtrip latency without latency jitter (!). RME users can play drums and guitar in realtime with fully loaded VST plugins and they are very happy about it.
- Visit the RME booth at NAMM, meet the engineers of today’s biggest tours (guess who), they will explain their setups.
Maybe win your dream interface (3x day). See you!

20/01/2026

🙏

Posiblemente el altavoz HEDD más solicitado en mucho tiempo, el TYPE 20 A-CORE se lanzará el próximo mes de febrero de 2026. Expande la filosofía A-CORE a un formato de tres vías más grande, diseñado para profesionales y usuarios sofisticados de estudios domésticos.

Fabricado con los mismos componentes premium que nuestros monitores MK2 y el sistema Tower Mains, el TYPE 20 A-CORE combina el sonido HEDD sin concesiones con la comodidad e inmediatez del procesamiento de audio analógico puro.

Con controles sencillos y sin dependencia de DSP ni software, el rendimiento analógico de baja latencia del TYPE 20 A-CORE ofrece una ruta de señal natural que se traduce con precisión en cualquier entorno.

Más información sobre el nuevo TYPE 20 A-CORE 💪
https://hedd.audio/products/type-20-a-core

20/01/2026

BC5000 BIGFOOT Optical Compressor

• Solid State Optical Compressor with Limiter
• State of the art BURL Audio NextGen Analog
• All discrete transistor, class-A, direct coupled
• Fully balanced circuit path, end-to-end
• Switchable BX1 input transformer
• Switchable BX5 output transformer
• Switchable fast FET limit circuit
• Switchable side chain Low Cut
• Switchable De-esser
• Switchable High Frequency boost
• Stereo Link
• Input circuit same as BAD4M Mastering Analog
• Output circuit same as BDA4M Mastering Analog
• Audiophile stepped attenuators for Input, Output
• Stepped Threshold, Attack, Release and Ratio
• Hard By-Pass
In the beginning, there was BIGFOOT.