Artbridger

Artbridger The art of tomorrow, curated for you.

Born in Shandong in 1988, Cathy Song graduated from Shandong Art Institute. Working primarily with mineral pigments on c...
11/08/2026

Born in Shandong in 1988, Cathy Song graduated from Shandong Art Institute. Working primarily with mineral pigments on canvas, she explores the relationship between nature, emotion, and visual rhythm through layered colours and organic forms.

In Traveling Through Dreams, Cathy Song transforms the canvas into an abstract landscape of movement and energy. The shifting tones of pink, yellow, and turquoise appear like traces of natural growth, where countless delicate marks gather into a larger sense of harmony. Through the accumulation of pigments and textures, the work captures a moment between reality and imagination, inviting viewers to experience the quiet flow of colour, time, and emotion.

Featured Artwork:
Traveling Through Dreams (游梦), 2024
Mineral pigments on canvas
30 × 40 cm

Find more works by Cathy Song at artbridger.com

Hong Kong visual artist June Wong explores everyday life and social experiences through drawing and moving image. She co...
10/08/2026

Hong Kong visual artist June Wong explores everyday life and social experiences through drawing and moving image. She collects fragments from daily encounters, including overheard conversations, news images, and ordinary urban scenes, transforming them into quiet reflections on contemporary life. Her practice has been recognised through multiple awards, and she recently presented her solo exhibition The Light is Still On.

In In Fact, We Don’t Want to See Her, June Wong captures an ordinary building scene through a restrained palette of soft colours and empty space. The quiet composition creates a sense of distance, while the plant and the subtle pink shadow on the wall introduce a trace of presence and memory within the familiar setting. Instead of depicting a specific story, the work leaves room for imagination, allowing an everyday corner of the city to become a place where emotions, absence, and personal memories quietly remain.

Featured Artwork:
In Fact, We Don’t Want To See Her, 2024
Colored Pencil on Paper
57 × 38 cm

View more works by June Wong at artbridger.com

Born in Hong Kong in 1996, Alice Tsang Hiu Tung develops her practice through everyday materials and tactile experiences...
08/08/2026

Born in Hong Kong in 1996, Alice Tsang Hiu Tung develops her practice through everyday materials and tactile experiences. Her works often begin with subtle bodily sensations, extending into reflections on healing, connection, and the relationship between individual existence and the surrounding world. She received a grant from the Hong Kong Arts Development Council for her solo exhibition I’m Watching Your Photosynthesis in Taiwan and has participated in exhibitions and art book projects across Asia.

In You Are Protected, Tsang presents the fruit as a delicate yet complex space of transformation. The rounded form becomes a container for invisible emotions and inner movements, where the boundaries between the physical body and the imagined landscape remain fluid. Layers of colour pencil and oil pastel create a soft surface that holds both fragility and quiet intensity.

For Alice Tsang Hiu Tung, painting becomes a way of tracing the unseen processes within life. The work captures moments of change, where sensations, memories, and emotions slowly gather before dissolving again, leaving behind only subtle traces of their existence.

Featured Artwork:
You Are Protected, 2022
Color pencil, oil pastel
42 × 29 cm

Explore more works by Alice Tsang on artbridger.com

Born and based in Hong Kong, CHAN Chi Yan Aria works primarily with etching, especially photo etching, using everyday ur...
07/08/2026

Born and based in Hong Kong, CHAN Chi Yan Aria works primarily with etching, especially photo etching, using everyday urban landscapes as the starting point of her practice. Through observing familiar scenes and transforming photographic fragments into delicate prints, she explores the relationship between places, memories, and personal emotions. Her works have been presented in exhibitions including The Light Shed on Nowhere — HKOP Awardees in Printmaking Exhibition 2022–2023 and MAPPE — Exhibition 2024 Milan International Art Week.

In Unrecognised Landscape, Aria Chan reflects on the changing meaning of “home” through the quiet language of printmaking. Using a pinhole camera and long exposure techniques, she captures traces of light that exist only for a fleeting moment, preserving ordinary scenes before they disappear. The layered images become less about recording a specific place, and more about holding onto the feelings of familiarity, comfort, and belonging attached to it.

Through her restrained composition and meticulous technique, Aria Chan transforms everyday landscapes into spaces of memory and reflection. The work invites viewers to consider how a place becomes meaningful, and how our understanding of “home” continues to shift with time.

Featured Artwork:
Unrecognised Landscape, 2023
Photo Etching with chine collé
68 × 60 cm

Discover more works by Aria Chan on artbridger.com

Currently on view at the Australian Centre for Contemporary Art (ACCA), Are you lonely tonight? I’m so lonesome I could ...
06/08/2026

Currently on view at the Australian Centre for Contemporary Art (ACCA), Are you lonely tonight? I’m so lonesome I could cry takes its title from the iconic 1949 song by American country musician Hank Williams, using a familiar expression of longing to explore one of the defining emotions of contemporary life: loneliness.

Bringing together works by 11 artists, the exhibition looks at how loneliness appears in different forms, from digital dependence and online relationships to family memories, personal spaces, and emotional distance. Among the participating artists is Lucy Liu, whose paintings reveal a quieter and more intimate side of her creative practice beyond her public identity as an actress. Her works bring personal experiences and emotional reflections into the conversation around connection and solitude.

Other works in the exhibition examine the strange contradictions of being connected yet isolated. From virtual interactions shaped by endless scrolling to everyday objects that carry traces of absence and memory, the artists reflect on how loneliness can exist even in moments surrounded by people.

In an age where communication has become easier than ever, loneliness has taken on new forms. The exhibition does not simply portray isolation as a negative experience, but opens up a space to consider the moments of silence, vulnerability, and self-reflection hidden within it.

Perhaps the most familiar feeling explored here is that loneliness is not always about being alone. Sometimes, it appears in the distance between ourselves and others, even when connections are constantly present.

📍 Australian Centre for Contemporary Art (ACCA), Melbourne
🗓 Until 30 August 2026

Currently on view at UCCA Beijing, Carsten Höller: Two marks the artist’s first institutional solo exhibition in China. ...
04/08/2026

Currently on view at UCCA Beijing, Carsten Höller: Two marks the artist’s first institutional solo exhibition in China. Bringing together a series of immersive installations, the exhibition transforms the gallery into a “Laboratory of Doubt”, exploring the relationship between perception, choice, and uncertainty.

Born in Belgium, Carsten Höller originally trained as an agricultural scientist before turning to art in the 1990s. His scientific background continues to influence his practice, where carefully constructed situations become experiments that question how we experience the world around us.

The exhibition is built around the idea of “two”. Visitors enter through two separate entrances and encounter parallel spaces that appear similar yet gradually reveal subtle differences. Through repetition, choice, and participation, Höller creates situations where familiar actions begin to feel uncertain, making the audience aware of how easily perception can shift.

Rather than offering a straightforward experience, Two places viewers in a state of hesitation. The carefully designed installations do not simply entertain, but quietly challenge our need for clear answers. In a moment when experiences are often reduced to quick images and instant impressions, Höller asks us to slow down, question what we see, and reconsider the role of uncertainty itself.

📍 UCCA Center for Contemporary Art, Beijing
🗓️ 14 July 2026 – 31 January 2027

(Image courtesy of UCCA)

Karen Ge often explores the relationship between imagination, time, and the emotions hidden within everyday experiences....
31/07/2026

Karen Ge often explores the relationship between imagination, time, and the emotions hidden within everyday experiences.

In Slow the Fall, the hourglass becomes a powerful symbol of time’s constant movement and our desire to hold onto fleeting moments. The figure pulling against the falling sand reflects a universal human instinct: the wish to slow down, preserve memories, and remain present before time inevitably moves forward. With its dreamlike imagery and quiet symbolism, the work invites reflection on how we experience the passing of time.

Featured Artwork:
Slow the Fall, 2026
Digital, Print
63 × 43 cm

Discover more works by Karen at artbridger.com

In Karen Ge’s imaginative worlds, familiar symbols often transform into moments of wonder and possibility.In Merry-Go-Be...
30/07/2026

In Karen Ge’s imaginative worlds, familiar symbols often transform into moments of wonder and possibility.

In Merry-Go-Beyond, Karen reimagines the carousel as a metaphor for moving beyond repetition and limitation. The horses break free from their fixed paths, transforming a familiar childhood scene into a dreamlike journey across an open sky. Through movement, colour, and playful imagination, the work reflects the desire to step beyond the boundaries of the known and embrace new possibilities.

Featured Artwork:
Merry Go Beyond, 2026
Digital, Print
55 × 63 cm

Explore more works by Karen at artbridger.com

Born and based in Hong Kong, Hoi Yu Karen Ge is an illustrator known for creating vibrant visual worlds shaped by imagin...
28/07/2026

Born and based in Hong Kong, Hoi Yu Karen Ge is an illustrator known for creating vibrant visual worlds shaped by imagination, curiosity, and self-discovery. A 2021 Summa Cum Laude graduate of Savannah College of Art and Design, Karen was also selected as a 2025 resident artist with the New York School of Visual Arts. Her works have been recognised by institutions including the Society of Illustrators, Communication Arts, and the International Design Awards, and have been exhibited internationally at venues such as Saatchi Gallery in London and the Grand Palais in Paris.

In Small World, Big Dreams, Karen returns to the limitless imagination of childhood, creating a world where familiar symbols, mythical creatures, and dreamlike architecture exist together. The work captures the freedom of a child’s mind, where possibilities remain open and every corner can become the beginning of a new story.

Featured Artwork:
Small World, Big Dreams, 2024
Digital, Print
63 × 47 cm

Discover more works by Karen at artbridger.com

In Alone’s paintings, nature and daily life exist in quiet harmony.In Philodendron and Sweet Potato, lush green leaves s...
27/07/2026

In Alone’s paintings, nature and daily life exist in quiet harmony.

In Philodendron and Sweet Potato, lush green leaves spill gently across the composition, weaving together garden, home, and architecture. Painted with light washes and effortless restraint, the work reflects the quiet coexistence between people and their surroundings. Rather than seeking the spectacular, Alone reminds us that the most enduring beauty often grows from the places we live with every day.

Featured Artwork:
Philodendron and Sweet Potato, 2024
Watercolor on paper
38 × 58 cm

Discover more works by Alone at artbridger.com

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