14/08/2026
【測評分享】Sonus faber Lumina V
測試時以 Marantz SR7015 環繞擴大機驅動 Lumina 喇叭,搭配 M&K X10 超低音組成 5.1 聲道系統。先以 Direct 模式聆聽兩聲道音樂實力。Lumina V 的聲音走向大致與 Lumina III 相同,中低頻段有較多的著墨,高頻雖不是精緻通透的類型,但細節飽滿、很有厚度,整體聽起來溫暖柔順。與 Lumina III 不同的是,Lumina V 的低頻量感更豐富、更有彈性,聽起來 Q 勁十足,卻不會流於氾濫而顯得臃腫模糊,而是更寬鬆、更深沉的質感,讓整體聽起來更為沉穩大器。
播放福山雅治「魂リク」專輯第二軌〈元気を出して〉時,人聲密度很高,能在喇叭中央刻劃出清晰的形體感,輪廓既鮮明又浮凸。福山雅治的嗓音顯得特別渾厚有力,唇齒細節清晰之餘還很飽滿,咬字間沒有任何銳利感,非常耐聽。伴奏的木吉他溫暖,撥弦顆粒感帶著柔順的甜味。喇叭暫態清晰明快,吉他的打板與刷弦聽起來都充滿彈性,能量紮實而不溫吞。
播放 Cannoball Adderley《Somethin’ Else》爵士專輯時,Miles Davis 開場的小號聲很迷人,原本刺耳的破金聲響被柔化了許多,飽滿的金屬摩擦聲帶著微微的刺激感,使白熱化的極高頻依然很有厚度,呈現不具侵略性的柔順質感。Cannoball Adderley 薩克斯風的悠悠低鳴厚實飽滿,銅管味十足,金屬質感溫暖不失解析度,可以聽見細膩的管壁摩擦聲,彷彿樂手的氣息吞吐都能盡收眼底,破金聲響被打磨得更加圓潤滑順,聽起來更綿密有水分。伴奏的 double bass 可以聽見更豐滿的木箱共鳴,鋼琴顆粒感聽起來好甜、好柔,雖不是晶瑩剔透的類型,但落鍵很有彈性,像是裹了蜂蜜一般綿密,聽起來很舒服。爵士鼓結實 Q 彈,敲擊力道紮實卻一點也不生硬,銅鈸的沙沙聲柔和不刺耳,由飽滿的高頻細節堆疊出滑順質感。即便只在環擴的驅動之下,也能展現如此細膩的音樂性。
接著測試 5.1 聲道劇院效果。Lumina 喇叭屬於下盤沉穩卻毫無侵略性的風格,寬鬆的低頻加上超低音的助威,更能感受到飽滿又細膩的音效表現。觀賞《搶救雷恩大兵》登陸片段時,首先能聽見開闊的戰場空間,爆破轟炸的音效呈現不錯的震撼力。更令人驚喜的是細緻的環繞音效與定位感,爆破所濺起的細碎水花與塵土也能清楚辨識位置,各聲道間的銜接性非常出色。戰場中一顆顆兇悍的子彈形體很有厚度,卻完全沒有壓迫感,由遠而近的移動感具備紮實密度,質感逼真,可以清楚辨識不同武器所擊發的音色變化。即使是音效複雜的戰爭片,仍在喇叭優秀的控制力下詮釋得有條有理。
人聲對白則顯得較為內斂,聽起來頗為清爽,雖少了一些厚重感,也不至於過於軟虛,反而更為柔和順耳,不會有過於銳利的唇齒細節,整部電影看下來完全沒有壓迫感,相當舒服耐聽。
For the listening test, the Lumina speakers were driven by a Marantz SR7015 surround amplifier, paired with an M&K X10 subwoofer to form a 5.1-channel system. Starting in Direct mode to assess two-channel musical performance, the Lumina V follows a broadly similar sonic direction to the Lumina III, with greater emphasis in the mid-bass region. The treble is not of the refined, airy type, yet it is rich in detail and has good body, resulting in an overall warm and smooth presentation. Compared with the Lumina III, the Lumina V offers fuller and more elastic bass that feels lively and controlled rather than bloated or blurred. The low frequencies are more relaxed and deeper in texture, giving the speaker a more composed and authoritative character.
When playing the track “元気を出して” from Fukuyama Masaharu’s 魂リク album, the vocals display high density and form a clear, solid image in the centre. The outlines are distinct and three-dimensional. Fukuyama’s voice comes across as particularly rich and powerful, with clear yet full lip and teeth detail and no harshness in the articulation, making it very easy to listen to for extended periods. The accompanying acoustic guitar is warm, with plucking that carries a soft sweetness. Transient response is clean and lively; the guitar’s body taps and chord strums sound elastic and energetic without any sluggishness.
On Cannonball Adderley’s Somethin’ Else, Miles Davis’s opening trumpet is captivating. The normally piercing metallic edge is softened, while the full-bodied metallic friction retains a gentle sense of excitement, so that the extreme highs still possess substance and a non-aggressive smoothness. Cannonball Adderley’s saxophone has a deep, resonant tone that is thick and full of brass character. The metallic texture remains warm without sacrificing resolution, allowing fine wall-friction details and the player’s breath to be clearly heard. The metallic edge is polished into a rounder, smoother quality that feels denser and more liquid. The double bass reveals richer cabinet resonance, while the piano notes sound sweet and soft—not crystalline, but elastic and honey-like in texture, making them very pleasant. The jazz drums are firm and springy, with solid impact that never becomes hard or aggressive. The cymbals’ shimmer is gentle and non-fatiguing, built from layers of full high-frequency detail into a smooth texture. Even when driven only by a surround receiver, the speakers demonstrate a surprising degree of musical refinement.
Moving on to 5.1-channel home theatre performance, the Lumina speakers present a solid yet non-aggressive foundation. With the subwoofer’s support, the relaxed bass contributes to full-bodied yet detailed effects. In the landing sequence from Saving Private Ryan, the battlefield space opens up clearly, and the explosions deliver satisfying impact. More impressive still is the fine surround imaging and positioning: the spray of water and dust from explosions can be precisely located, revealing excellent channel cohesion. Individual bullets have substantial body without any sense of pressure; their movement from far to near carries solid density and realistic texture, allowing different weapon signatures to be distinguished. Even in a complex war scene, the speakers maintain excellent control and present the soundtrack in an orderly manner.
Dialogue is relatively restrained and clean. While it lacks some weight, it never becomes thin or hollow. Instead, it sounds smooth and easy on the ear, free from overly sharp sibilance. Watching an entire film remains comfortable and fatigue-free.
Sonus faber Lumina V 座地喇叭
建議零售價:HK$31,080
阿二無綫電
旺角友誠商業中心 13 樓全層
Tel:23936381
Whatsapp: https://wa.me/46840769
要說市面上最美的入門喇叭,我想絕非Sonus Faber Lumina莫屬!這款喇叭雖然平價,卻完全在義大利工廠製造,不只造型典雅時尚,也將Sonus Faber的音質美感詮釋得有模有樣,受到許多「美聲派」的劇院玩家喜愛。為了讓此系列造福....