英京 SK-HK.com

14/10/2026

#門市特價歡迎查詢 YBA Design YM302 的試聽多以 YA302 合併擴音機搭配被動喇叭進行。聲音走向偏向活潑流暢，高頻清晰而帶光澤，通透柔和，不鋒利也不刺激，沒有刻意堆疊的厚重感，長時間聆聽相對耐聽。低頻分量較輕，動態與衝擊力並非強項，整體更注重鬆弛與線條的乾淨。

人聲、弦樂與爵士鋼琴是較為擅長的類型，質感平滑細緻，小編制音樂容易呈現接近室內場館的親密感。大型交響作品則未必能展現足夠的規模與重量。聲場規整開揚，速度從容，強弱起伏受控，細微細節在較大音量時仍能保留。數碼濾波器可作微調：Sharp 模式偏向提升解析，Slow 模式則讓高頻更為柔和。

整體來說，YM302 延續 YBA 一貫對電源、時鐘與模擬線路的重視，把現代串流的便利與相對耐聽的音樂感放在一起，適合重視流暢與長期聆聽舒適度的用家。

The listening notes for the YBA Design YM302 were largely based on pairing it with the YA302 integrated amplifier and passive speakers. The sound leans lively and fluid, with high frequencies that are clear and glossy—transparent and soft rather than sharp or aggressive. There is no deliberate thickening; long sessions remain relatively comfortable. Bass is lighter, and large-scale dynamics or impact are not its main strengths. The emphasis is more on a relaxed presentation and clean lines.

Vocals, strings and jazz piano are areas where it performs particularly well, with a smooth and detailed texture that gives chamber music a sense of intimacy close to a small venue. Large-scale orchestral works may not convey sufficient weight or scale. The soundstage is orderly and open, pacing is unhurried, and dynamics remain controlled; quieter details are still preserved at higher volumes. The digital filters allow minor adjustments: Sharp mode leans towards greater resolution, while Slow mode softens the highs.

Overall, the YM302 continues YBA’s attention to power supply, clocking and analogue circuitry, placing the convenience of modern streaming alongside a relatively fatigue-free musical character suited to listeners who value flow and long-term listening comfort.

—— reviews from《網易》

YBA Design YM302 串流解碼一體機
🌟 門市特價 · 歡迎查詢 🌟
（原價 HK$22,500）
shorturl.at/kwPbg

銅鑼灣利園山道36號
36 Lee Garden Road, Causeway Bay
T︰28581602

旺角友誠商業中心8樓
8F Yau Shing Commercial Centre, Mong Kok
T︰2391 5331/ 2391 5351

英京
www.sk-hk.com

14/10/2026

#音質表現 細節處理細膩　動態範圍寬闊
試聽了多款耳機與曲目，M27 的雙 DAC 架構帶來出色音質，細節豐富，動態範圍寬闊，音場有包圍感且層次分明。多款耳機能夠在 M27 呈現樂器大小與力度差異，音色自然且不失力量。

搭配 Fiio FX17 耳機作測試，低增益之下人聲清晰且帶有微妙的口形咬字感，聲音貼近且細膩，渲染感恰到好處。換上 Empire Ears ODIN MKII，以聆聽 Beethoven 的《Piano Concerto No. 1 in C Major, Op. 15: I. Allegro con brio》為例，鋼琴顆粒感強烈，動態鮮明，弦樂的力量與細節表現出色，弦樂部分的高頻明亮但不刺耳，低頻結實且豐滿，整體音場寬闊。

使用 DITA Audio Ventura，低頻下潛深且乾淨，敲擊樂器線條感清晰，沉浸感十足，人聲磁性且豐富，整體平衡感佳。最後以 Sennheiser HD 800 S 在 Ultra High Gain 模式下測試，幾乎能完全推動耳機，人聲立體且密度感強，動態充足，音場有一定深度，低頻稍欠密度但細節豐富，整體細緻度與動態表現令人印象深刻。

Fine detail handling, wide dynamic range

After listening with several earphones and tracks, the M27’s dual-DAC layout delivers strong sound quality: detail is rich, the dynamic range is wide, and the soundstage feels enveloping with clear layering. Multiple earphones show differences in instrument size and force on the M27; the tone stays natural without losing weight.

With the FiiO FX17 on low gain, voices are clear with a subtle sense of mouth shape and articulation. The sound sits close and fine, with just the right amount of colour. Switching to the Empire Ears ODIN MKII and listening to Beethoven’s Piano Concerto No. 1 in C Major, Op. 15: I. Allegro con brio, the piano has strong grain and vivid dynamics. The strings show force and detail; their upper register is bright without harshness, the bass is firm and full, and the stage is wide.

On the DITA Audio Ventura, bass extends deep and cleanly. Percussive instruments keep clear lines, immersion is strong, voices are magnetic and rich, and the overall balance is good. Finally, with the Sennheiser HD 800 S on Ultra High Gain, the amplifier drives the headphones almost fully. Voices are three-dimensional with solid density, dynamics are ample, and the stage has a certain depth. Bass is slightly light on density but rich in detail. The fineness and dynamic performance leave a strong impression.

FiiO M27 便攜音樂播放器
優惠價 HK$13,999
（原價 HK$14,499）
shorturl.at/zB3H6

銅鑼灣利園山道36號
36 Lee Garden Road, Causeway Bay
T︰28581602

旺角友誠商業中心8樓
8F Yau Shing Commercial Centre, Mong Kok
T︰2391 5331/ 2391 5351

英京
www.sk-hk.com

FiiO M27 終於在 2025 年尾正式登場，距離上一代 M17 已經相隔四年。這次的 M27 不只是簡單升級，而是硬件與功能的全面躍進，帶來耳目一新的感覺。它不再只是便攜播放器，更像一艘「超級戰艦」，將桌面級音質和便攜性結合，.....

13/10/2026

#聽感分享 M7T Master的聲底是有點蓬鬆的厚潤聲底，比M3系列那種強調線條感的風格要更有親和力，但這台播放器沒有在暖調音色和突出潤度上做文章，而是做出了適當的線條感和銳度，保持了總體寬鬆厚實的框架之餘，“有條件”地彰顯自身的素質——這種調音處理方式，個人認為開闢了山靈近年來播放器調音的“第三條路”，既不是追求HuFi或“潤Fi”，也不是一味突出解析力和線條感，而是尋獲了一種兩者兼得的方案——大膽猜測一下，山靈未來的新旗艦播放器的調音，或許也正是這個方向。

M7T Master的三頻是均衡的，不特別突出某一個方面的能量感，而是以“百搭”為目的的聲音框架搭建。它的聲場要大於M7T，層次感更加清晰，雖然沒有後者（主要是開啟電子管后）濃郁的韻味，卻透出一種“理性優先”的味道。M7T Master的動態儲備依然充足，對現場演奏中的微小動靜和鼓樂齊鳴的大場面都能夠充分還原而不遺漏應有的細節，瞬態也在“速度”和“氣勢”之間找到了良好的平衡。在低頻的打擊感方面，M7T Master的質感和下潛帶來的聽覺震撼要高於量感，後者則是較為克制的。而它的低頻更接近“該出手時就出手”的風度，存在感只在需要低頻來烘托氣勢、氛圍時才特別明顯；但在大場面時毫不手軟，完全不缺乏應有的氣度。

原文：https://shorturl.at/tV49q

It has force, yet this player does not lean into a warm tone or emphasise smoothness. Instead it keeps a measured sense of line and edge, preserving an overall relaxed and solid framework while revealing its quality “when the conditions allow.” Personally, I feel this approach opens a third path for Shanling’s recent player voicing — neither chasing “HuFi” or “smooth Fi,” nor simply pushing resolution and outline, but finding a way to hold both. A bold guess: future Shanling flagship players may well follow this direction.

Shanling M7T Master 真空管便攜播放器 (灰/ 摩卡/ 藍色)
HK$7,680
首批贈送原廠皮套
shorturl.at/PEgUl

銅鑼灣利園山道36號
36 Lee Garden Road, Causeway Bay
T︰28581602

旺角友誠商業中心8樓
8F Yau Shing Commercial Centre, Mong Kok
T︰2391 5331/ 2391 5351

英京
www.sk-hk.com

13/10/2026

Shanling CD50 是一部緊湊的桌面 CD 播放器，機身尺寸小巧。它採用前載式托盤與 HD850 激光頭，支援 CD、CD-R 與 CD-RW，並具備無間隙播放。2.2 吋顯示屏顯示曲目與設定資訊，可透過前面板或遙控操作。

解碼採用 Cirrus Logic CS43198，耳機放大由兩枚 SGM8262-2 負責。3.5 mm 單端輸出約 210 mW（32 Ω），4.4 mm 平衡輸出則達 830 mW（32 Ω），兩者輸出阻抗均為 1 Ω。RCA 模擬輸出可切換固定線路電平或可變前級模式，另設同軸與光纖數碼輸出，方便繞過內建解碼連接外部 DAC。整機沒有藍牙、網絡串流或數碼輸入，專注於碟片播放與耳機直推。

對希望把 CD 重新放回桌面、又不想再加一部耳機放大器的用家來說，CD50 把轉盤、解碼與足夠推力的耳機輸出集中在一部小巧機身內，減少了額外器材的需要。

The Shanling CD50 is a compact desktop CD player with a small chassis. It uses a front-loading tray with an HD850 laser, supporting CD, CD-R and CD-RW with gapless playback. A 2.2-inch display shows track and setting information, with control available from the front panel or the included remote.

Digital-to-analogue conversion is handled by a Cirrus Logic CS43198, while two SGM8262-2 chips drive the headphone section. The 3.5 mm single-ended output delivers around 210 mW into 32 Ω, and the 4.4 mm balanced output reaches 830 mW into the same load, both with a 1 Ω output impedance. The RCA analogue output can switch between fixed line level and variable preamp mode, and coaxial plus optical digital outputs allow the internal DAC to be bypassed for an external converter. There is no Bluetooth, network streaming or digital input; the machine concentrates on disc playback and direct headphone drive.

For those who want to return CD playback to the desktop without adding a separate headphone amplifier, the CD50 gathers the transport, DAC and sufficient headphone power into a small chassis, reducing the need for extra components.

Shanling CD50 CD 播放器
HK$1,580
shorturl.at/B2Vfd

銅鑼灣利園山道36號
36 Lee Garden Road, Causeway Bay
T︰28581602

旺角友誠商業中心8樓
8F Yau Shing Commercial Centre, Mong Kok
T︰2391 5331/ 2391 5351

英京
www.sk-hk.com

12/10/2026

#測評分享 FiiO M33 R2R 把自研的全差分 24-bit R2R 電阻陣列放進中階機身，希望帶來較接近桌面機的自然連貫聲底。4.4mm 平衡輸出達 1100mW，驅動大耳較為從容。人聲小品聽起來順滑而有厚度，與一般 Delta-Sigma 機種的分別較為明顯。

在實測中，搭配 Vision Ears EXT 聽爵士時，整體呈現較為自然的音色，細節與連貫性不錯，但高頻延伸與極致分析力並非同價位中最突出的一類。轉到桌面模式驅動 Dan Clark Audio ÆON 2 Noire 聽搖滾時，動態與能量感有所提升，R2R 帶來的模擬質感依然存在。機身採用 Snapdragon 680 與 8GB RAM，操作流暢，PEQ 與 AUTO EQ 提供一定的可玩性。

評測認為，M33 的高頻延伸與分析力並非同級之最，但 R2R 架構賦予的獨特模擬音色，對追求聽感優先的用家來說，仍是一部值得細味的選擇。

The FiiO M33 R2R places a self-developed fully differential 24-bit R2R resistor array into a mid-range chassis, aiming for a more natural and continuous sound closer to desktop machines. The 4.4mm balanced output reaches 1100mW, providing relatively effortless drive for larger headphones. Vocal-focused material sounds smooth and full, with a clearer distinction from typical Delta-Sigma players.

In testing, pairing with the Vision Ears EXT on jazz revealed a relatively natural tonality with decent detail and continuity, though high-frequency extension and ultimate analysis are not the strongest in this price range. Switching to desktop mode to drive the Dan Clark Audio ÆON 2 Noire on rock brought improved dynamics and energy, while the R2R analog character remained. The Snapdragon 680 with 8GB RAM keeps operation smooth, and PEQ plus AUTO EQ add a degree of adjustability.

The review notes that the M33’s high-frequency extension and analysis are not class-leading, yet the distinctive analog character from the R2R architecture still makes it worth considering for those who prioritise listening enjoyment.

FiiO M33 R2R 便攜音樂播放器
HK$4,999
shorturl.at/xkguW

銅鑼灣利園山道36號
36 Lee Garden Road, Causeway Bay
T︰28581602

旺角友誠商業中心8樓
8F Yau Shing Commercial Centre, Mong Kok
T︰2391 5331/ 2391 5351

英京
www.sk-hk.com

FiiO M33 R2R將自研全差分 24-bit R2R 電阻陣列植入中階機身，實現台式機獨有的自然連貫聲底。4.4mm 平衡輸出達...

12/10/2026

#震撼優惠 Matrix Audio element P2 純後級擴音機 （銀色）
🌟 震撼優惠特價 HK$5,980 🌟
（原價 HK$9,980）
shorturl.at/lgu5U
================

Matrix Audio Element P2 是一款採用 Class-D 放大技術的純後級功率放大器，延續 Element 系列簡約現代的外型語言，線條俐落，能自然融入居家環境。它配備 RCA 與 XLR 輸入，無論前端輸出單端或平衡訊號，都能完整保留音樂原貌。

在立體聲模式下，4Ω 負載時每聲道輸出可達 230W，足以輕鬆驅動書架式或小型落地式音箱，呈現清晰而富有感染力的聲音。若需要更強的動力，可將兩台 Element P2 切換至單聲道模式，分別驅動左右聲道，此時 4Ω 負載下每聲道輸出提升至 850W，即使面對低靈敏度的大型落地音箱，也能充分發揮其潛力。

機身設有觸發輸入輸出功能，可與具觸發介面的前端設備連動，實現一鍵開啟。接線端子選用高品質 WBT-0708 Cu，並配備 CBVB 陶瓷球緩震腳墊，有效減少機械振動對聲音的影響。整體能耗低，待機功率小於 5W，在實用性與音質表現之間取得良好平衡。

The Matrix Audio Element P2 is a pure power amplifier using Class-D technology, continuing the Element series’ clean and modern design language. Its neat lines integrate naturally into a living space. It offers both RCA and XLR inputs, preserving the original character of the music whether the source delivers single-ended or balanced signals.

In stereo mode, it delivers up to 230W per channel into 4Ω, comfortably driving bookshelf or compact floorstanding speakers with clarity and presence. For greater power, two Element P2 units can be switched to monoblock mode, each driving one channel. Output then rises to 850W per channel into 4Ω, allowing even low-sensitivity large floorstanders to perform fully.

Trigger input and output are provided for seamless one-touch power-on with compatible front-end equipment. It uses high-quality WBT-0708 Cu speaker terminals and CBVB ceramic ball isolation feet to reduce the influence of mechanical vibration. Power consumption remains low, with standby under 5W, balancing practicality and sound performance.

銅鑼灣利園山道36號
36 Lee Garden Road, Causeway Bay
T︰28581602

旺角友誠商業中心8樓
8F Yau Shing Commercial Centre, Mong Kok
T︰2391 5331/ 2391 5351

英京
www.sk-hk.com

12/10/2026

IBUKI 直接驅動時中低頻已經相當直接而有力，低頻帶有明顯的實體感，讓人想起 FUGAKU 的聲底。只是聲音比較集中，高頻也稍為收斂，感覺還未完全發揮。

接上 WATATSUMI 之後，變化相當明顯。尾音變得完整，整體透明度提高，低頻不再只是集中在一處，而是從四周滲透過來，包圍感明顯增加，高頻也更突出。頻率分佈變得更均衡，同時保留了力量感。人聲則多了一份濕潤與厚度，能清楚反映歌手的情感變化，聽起來既有衝勁，也不失柔情。

在大動態曲目中，中低頻的爆發力相當強，距離感稍近，像坐在舞台前排。換成較柔和的人聲錄音時，又展現出另一面：人聲厚實而連貫，背景伴奏也忠實呈現出年代感。整體而言，IBUKI 在充足驅動力下，低頻的規模與氣勢會進一步放大，聲音密度也更高，潛力相當深厚。

IBUKI already delivers direct and powerful mid-bass when driven straight, with a clear physical presence in the low end that recalls the character of FUGAKU. The presentation is relatively concentrated, however, and the highs are somewhat restrained, suggesting the potential has not yet been fully realised.

When paired with the WATATSUMI, the change is noticeable. Note decay becomes more complete, overall transparency increases, and the bass no longer sits only in the centre but surrounds from all sides, while the highs become more prominent. The frequency balance improves without losing the sense of power. Vocals gain a moist and fuller quality, clearly conveying emotional shifts, so the sound carries both energy and tenderness.

On large-scale dynamic tracks, the mid-bass impact is strong and the distance feels close, as if seated in the front rows. On gentler vocal recordings, another side appears: the voice is thick and continuous, and the accompaniment faithfully reflects the period of the recording. Overall, with sufficient drive, the scale and momentum of the low end expand further, density rises, and the potential of the IBUKI becomes quite substantial.

Brise Audio IBUKI Standard Edition 旗艦級混合單元耳機
HK$52,500

銅鑼灣利園山道36號
36 Lee Garden Road, Causeway Bay
T︰28581602

旺角友誠商業中心8樓
8F Yau Shing Commercial Centre, Mong Kok
T︰2391 5331/ 2391 5351

英京
www.sk-hk.com

文︰Bomb Dance早於2024年香港高級視聽展，我曾有幸試聽Brise Audio FUGAKU（富嶽）流動音響系統，當時我就被它有如有源音箱般直接和力量源源不絕的氣勢所折服，並留下深刻的印象。2年後的今日，聽說Brise Audio再度推出新的耳機系....

11/10/2026

#震撼優惠

Matrix Audio X-Sabre 3 Streaming DAC 串流解碼器
🌟 優惠價 HK$9,980 🌟
（原價 HK$19,880）
shorturl.at/xwLBQ

===============

X-Sabre 3採用全隔離設計，將數字系統電路部分與 D/A 轉換及模擬電路完全分離，令兩部份電路實現完全電氣隔離。

而覆蓋X-SABRE 3頂部嘅大塊鋼化玻璃，可謂內有玄機。

入面隱藏咗一組2.4GHz及5GHz雙頻 Wi-Fi天線，而天線底部亦獨立再加多一層屏蔽，將Wi-Fi所產生嘅干擾完全阻隔。
​
✅支援Airplay2, DLNA, Tidal Connect, Spotify Connect, Roon Ready, USB In, 光纖, 同軸, IIS有線音頻輸入
✅使用ES9038PRO D/A芯片
✅可播放Hi-Res Audio及MQA, 超低相位噪聲飛秒時鐘, 硬件屏蔽設計
✅音頻格式支援高達PCM16-24Bit 768kHz, MQA ​ 24Bit/384kHz及DSD22.4Mhz(Native)

銅鑼灣利園山道36號
36 Lee Garden Road, Causeway Bay
T︰28581602

旺角友誠商業中心8樓
8F Yau Shing Commercial Centre, Mong Kok
T︰2391 5331/ 2391 5351

英京
www.sk-hk.com

11/10/2026

#音質表現測評分享 聲底清晰乾淨　控制力與層次感是重點

AP80 Pro MAX 鈦合金版延續了 AP80 系列一貫偏清晰、偏直接的聲音走向，但在合適耳機配搭下，會聽到一種幾討好的平衡感。今次主要以 Harmonic Empire 張遼與 Hidizs MP145 Pro 入耳式耳機作試聽，兩者本身都屬於較重視分析力、控制力與線條感的取向，因此也更能反映這部播放器的性格。

聽 Tate McRae〈greedy〉時，低頻節奏反應快，鼓點不會拖泥帶水，女聲清晰度亦不錯，副歌部分仍能保持一定衝擊感。整體聽感偏乾淨，節奏感鮮明，屬於容易投入的類型。再聽 Billie Eilish〈Lunch〉，AP80 Pro MAX 的控制力就更為明顯，低頻不會一味撐大，而是以收斂、穩定的方式呈現，令整體氣氛保持克制。Billie 的人聲位置亦相當集中，不會被背景節奏搶去焦點。若配合平衡輸出與分析力較高的入耳式耳機，聲音輪廓會更清晰，細節亦更容易浮現。

如果換做 Ariana Grande〈yes, and?〉，則更能看出它對層次分離的處理。鼓聲、合成樂器與人聲之間會分得比較清楚。高頻方面，AP80 Pro MAX 走的是較收斂的方向，亮度足夠但不刺激，長時間聆聽算舒服，對本身偏亮的耳機反而有少少平衡作用。若是較重視人聲的曲目，例如 Chappell Roan〈Good Luck, Babe!〉，這部機的中頻位置有一定存在感，聲線不會太薄，情感表達亦保留得到。

Clear and clean foundation — control and layering are the focus

The titanium version of the AP80 Pro MAX continues the AP80 series’ characteristic clear and direct sound signature. When paired with suitable headphones, it presents a pleasing sense of balance. For this listening session, the Harmonic Empire Zhang Liao and Hidizs MP145 Pro in-ear monitors were primarily used. Both lean towards strong analysis, control and line definition, which helps reveal the player’s character more clearly.

With Tate McRae’s “greedy,” the low-frequency rhythm responds quickly; drum hits do not drag, and the female vocal remains clear. Even in the chorus, a certain level of impact is retained. The overall presentation is clean, with a distinct sense of rhythm that is easy to engage with. Moving to Billie Eilish’s “Lunch,” the AP80 Pro MAX’s control becomes more apparent. The low end is not simply pushed forward but presented in a restrained and stable manner, keeping the atmosphere composed. Billie’s vocal sits quite centrally and is not overwhelmed by the background rhythm. When used with balanced output and more analytical in-ear monitors, contours become sharper and finer details emerge more readily.

Switching to Ariana Grande’s “yes, and?” further highlights its handling of separation. Drums, synthesisers and vocals are distinguished with relative clarity. In the high frequencies, the AP80 Pro MAX takes a more restrained approach — bright enough without becoming aggressive, making long sessions comfortable. It can also provide a slight balancing effect for brighter-sounding headphones. On more vocal-focused tracks such as Chappell Roan’s “Good Luck, Babe!,” the midrange has a noticeable presence. The vocal line does not sound thin, and emotional expression is preserved.

Hidizs AP80 PRO MAX Titanium Edition
HK$2,499
shorturl.at/YlDoG

銅鑼灣利園山道36號
36 Lee Garden Road, Causeway Bay
T︰28581602

旺角友誠商業中心8樓
8F Yau Shing Commercial Centre, Mong Kok
T︰2391 5331/ 2391 5351

英京
www.sk-hk.com

Hidizs AP80 Pro MAX 一向屬於那種機身細小，但存在感不低的隨身播放器，而今次推出的全球限量鈦合金版，最搶眼之處無疑是鏡面拋光鈦合金機身，配合一枚 24K 金色旋鈕，第一眼已經能感受到比其他版本更強烈的高階質感，令它.....

10/10/2026

#避震的美學 Dave Morrison #專利設計「具有方向性」的隔離系統

換上去就有感，變化主要在形體、密度和力量。Jennifer Warnes《Famous Blue Raincoat》裡的《Bird On A Wire》，鼓的形體變得更凝聚、更緊實，輪廓更清楚，敲擊也更有衝擊；低頻尾巴收得更快，音場下盤更收斂，音樂更緊湊。慕特與 John Williams《Across The Star》裡的《Rey's Theme》，小提琴聲線更清楚，其他聲部也更收束，低音大提琴的撥奏更清晰、更彈。不墊時聲音較輕盈、開放、明亮，但也較鬆散，張力弱一些；墊上之後音場居中而凝聚，低頻扎實，氣氛更沉着。

再墊 Divini Kit-M 書架喇叭，同樣用三顆 Bronze，前後一的擺法。走向一樣，幅度更明顯。音場更居中，形貌更清楚，人聲更近、更凸出。《First We Take Manhattan》開頭左側的口白更近、更清楚；大鼓形體明確，貝斯尾巴收得乾脆，量感沒有減少，厚度還更好。頻段分布沒有被改動，高中低仍然均衡，也不另加音色，質地更乾淨。

The change was immediate, mainly in body, density and force. On Bird On A Wire from Jennifer Warnes’ Famous Blue Raincoat, the drums became more focused and tighter, the outline clearer, and the strikes more physical. Bass tails stopped sooner, the lower stage drew in, and the music felt more compact. On Rey’s Theme from Anne-Sophie Mutter and John Williams’ Across The Star, the violin line was clearer, the other parts more gathered, and the double-bass pizzicato clearer and more springy. Without the feet the sound was lighter, more open and brighter, but also looser, with less tension. With them, the stage sat more in the centre, the bass was solid, and the mood was steadier.

Under Divini Kit-M stand-mount speakers, again three Bronze each, two at the front and one at the back, the direction was the same and the degree larger. The stage was more centred, its shape clearer, and the voice closer and more present. The spoken line at the start of First We Take Manhattan was nearer and clearer. The bass drum had a definite body, the bass guitar tails stopped cleanly, the amount of bass did not fall, and the thickness was better. The balance of the bands was not shifted. High, mid and low stayed even, no colour was added, and the texture was cleaner.

https://review.u-audio.com.tw/reviewdetail.asp?reviewid=2096

IsoAcoustics OREA Series 喇叭墊
優惠價 HK$350起
（HK$415 - HK$750）
shorturl.at/XjdUh

銅鑼灣利園山道36號
36 Lee Garden Road, Causeway Bay
T︰28581602

旺角友誠商業中心8樓
8F Yau Shing Commercial Centre, Mong Kok
T︰2391 5331/ 2391 5351

英京
www.sk-hk.com

IsoAcoustics 來自加拿大，於 2012 年成立，創立者是 Dave Morrison，他在成立 IsoAcoustics 之前在加拿大廣播公司（CBC - Canadian Broadcasting Corporation）工作了近二十年，其間曾負責建築施工工作和設計團隊的高級管理職務，協助 CBC 在多倫.....