16/03/2026
๐ฅ Spring returns by habit. Soundart Festival returns by oath. Organised by Cavalleria Events, it has become a familiar presence in the cityโs cultural calendar, returning each year with its particular blend of sound, atmosphere and artistic experiment.
๐๐ก๐ข๐ฌ ๐ฒ๐๐๐ซ ๐๐ ๐๐ข๐ง, ๐ญ๐ก๐ ๐๐๐ฌ๐ญ๐ข๐ฏ๐๐ฅ ๐ฎ๐ง๐๐จ๐ฅ๐๐๐ ๐๐ญ ๐ญ๐ก๐ ๐๐๐ ๐ข๐ง๐ง๐ข๐ง๐ ๐จ๐ ๐ญ๐ก๐ ๐ฌ๐ฉ๐ซ๐ข๐ง๐ , ๐จ๐ฉ๐๐ง๐ข๐ง๐ ๐ข๐ญ๐ฌ ๐ ๐๐ญ๐๐ฌ ๐ฐ๐ข๐ญ๐ก ๐ ๐ฐ๐๐ซ๐ฆ-๐ฎ๐ฉ ๐ ๐๐ญ๐ก๐๐ซ๐ข๐ง๐ ๐จ๐ง ๐๐ ๐๐๐ซ๐๐ก ๐๐ญ Encore Club, ๐๐๐๐จ๐ซ๐ ๐ญ๐ก๐ ๐ฆ๐๐ข๐ง ๐ซ๐ข๐ญ๐๐ฌ ๐๐จ๐ฅ๐ฅ๐จ๐ฐ๐๐ ๐จ๐ง ๐๐ ๐๐ง๐ ๐๐ ๐๐๐ซ๐๐ก ๐๐ญ Quantic.
Music was not the only voice present. On 14 March, โ๐๐ก๐ ๐๐ซ๐๐๐ง ๐๐๐ซ๐๐ซ๐จ๐๐โ took place at Hidden, a gathering dedicated to sustainable fashion that offered a quieter counterpoint to the amplifiers and drum kits elsewhere in the programme.
Visual art also found its place within the festivalโs orbit. Greek visual artist ๐๐๐ง๐ญ๐ก๐จ๐ฌ ๐๐ญ๐๐ซ๐ ๐ข๐จ๐ฎ, known under the name Manster Design, presented an exhibition of his works, adding another colour to the broader SoundArt landscape.
๐๐ฏ๐๐ง๐ญ๐ฌ ๐ฅ๐ข๐ค๐ ๐ญ๐ก๐ข๐ฌ ๐๐ซ๐ ๐ง๐๐ฏ๐๐ซ ๐ฃ๐ฎ๐ฌ๐ญ ๐ฌ๐๐ก๐๐๐ฎ๐ฅ๐๐ฌ ๐ฉ๐ซ๐ข๐ง๐ญ๐๐ ๐จ๐ง ๐ฉ๐๐ฉ๐๐ซ. ๐๐ก๐๐ฒ ๐๐ซ๐ ๐ฌ๐ฆ๐๐ฅ๐ฅ ๐๐จ๐ง๐ฌ๐ญ๐๐ฅ๐ฅ๐๐ญ๐ข๐จ๐ง๐ฌ ๐ฆ๐๐๐ ๐จ๐ ๐ฉ๐๐จ๐ฉ๐ฅ๐, ๐ฌ๐จ๐ฎ๐ง๐, ๐๐ฑ๐ฉ๐๐๐ญ๐๐ญ๐ข๐จ๐ง ๐๐ง๐ ๐๐ก๐๐ง๐๐ ๐ฆ๐๐๐ญ๐ข๐ง๐ ๐ฌ. I arrived with the same curiosity I carry each time, wondering what voices would rise above the murmur of conversation and the clatter of glasses. SoundArt Festival has long had the habit of gathering unlikely colours under one roof, and this year proved no different.
๐ผ๏ธ The review includes visual material courtesy of Cavalleria Events, the personal archive of Din รntunerec, and ศtefan Lupaศcu.
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