4Dviews

4Dviews We put real humans at the centre of your XR projects with our volumetric capture system, the HOLOSYS+

18/06/2026

4Dviews is at AWE USA 2026 next week — and Richard is on stage.

He'll be joining Kiira Benz and Chris Pfaff for a roundtable discussion on Immersive Theatre: Building the XR Stage for New Audiences. Immersive theatre is one of the most demanding tests for volumetric technology — real audiences, real performers, no margin for "close enough." That's exactly the conversation we want to be part of.

📍 Long Beach Convention Center
🗓 June 18 | 2:20 – 2:50 PM | Room 103C
🎙 Richard Broadbridge, CEO — 4Dviews

If you're attending AWE, the rest of the team will be at Booth 935. Come say hello!

Full details in the comments 👇

11/06/2026

Today is World Cup Kickoff Day and we have only one thing to say -

Allez les Bleus ! 🔵⚪🔴

We're coming to AWE USA 2026! ☀️Come meet the team at Booth 935 to check out our brand-new demos, and talk about your pr...
05/06/2026

We're coming to AWE USA 2026! ☀️

Come meet the team at Booth 935 to check out our brand-new demos, and talk about your projects. Whether you're already working with volumetric video or just curious about what it can do, we'd love to connect.

See you in Long Beach. 👋

02/06/2026

With 4Dfx 1.7.0, we're introducing the new Geometry Loader filter, making it possible to bring external 3D modifications into your volumetric workflow.

Export a volumetric video sequence, edit it in Blender, Houdini, Maya, or any 3D software of your choice, and re-import it directly into 4Dfx. Your modifications become part of the volumetric post-production process and can be enhanced further using the full 4Dviews toolset.

Try 4Dfx 1.7.0 on our free sample data through the Creators' Platform from the link in the comments.

28/05/2026

4Dfx 1.7.0 is out!

After client feedback, we rebuilt the Look At filter from the ground up. Better performance preservation, fewer on-set constraints, animation over time, and a built-in preview.

Did we mention that processing time is down to a third of the previous version? 😉

Download now from the Creators' Platform - creators.4dviews.com

26/05/2026

We see you... 👀

Can you guess which 4Dfx feature is getting a major upgrade this week?

19/05/2026

Fast motion. Complex props. Fine detail.

We put one of our most challenging sequences through the HOLOSYS Splatting pipeline - fast-paced capoeira movement combined with the intricate geometry of instruments like the berimbau, pandeiro, and atabaque.

From rapid kicks to delicate string detail, this is us pushing what volumetric capture can preserve.
Two separate performances. One immersive experience. 😉

14/05/2026

What does a university do with a volumetric capture studio?

If you're the Centre for Creative Immersive XR at the University of Portsmouth, apparently everything.

Fashion students shoot their graduate collections with the HOLOSYS and take the reels to fashion week. Animation students capture their cat in the studio to study movement reference in Maya. Martial artists bring nunchucks and bow staffs. And then there's XR theatre production requiring seamless transitions between volumetric and motion capture.

Alex Counsell, Technical Director at CCIXR, put it simply: "The technology needs to disappear. The story is everything."

Full interview in the comments - what would you use the HOLOSYS for?

07/05/2026

On the eve of the 81st anniversary of Victory in Europe Day, we're looking back at a project we're proud to have been a part of.

Last year, the TF1 team created an 8-minute immersive documentary retracing the final months of World War II - the Battle of the Bulge, the fall of Berlin, the German surrender - with a level of immersion that archival footage simply cannot replicate.

To capture the historical re-enactors and costumed soldiers who brought the story to life, the team filmed with the HOLOSYS system at Studio Extensible in Paris. The team filmed each performer in full 4D to give complete freedom over camera angles in post-production for the sweeping movements that pull you straight into the action.

Link to the documentary in the comments.

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