205TF

205TF TF, 2 letters that signify at the same time Type Foundry and Typographie Française (French Typograp

Project: One hundred years of the Tower of Saint Barnabas - Sagrada FamíliaTypefaces: Louize Display (Matthieu Cortat, 2...
15/10/2026

Project: One hundred years of the Tower of Saint Barnabas - Sagrada Família
Typefaces: Louize Display (Matthieu Cortat, 205TF); Inter-Regular (Rasmus Andersson)
Agency: Avanti. Design for Citizens
Creative Director: Alex Dobaño
Graphic designer: Aramis León
Client: Basílica de la Sagrada Família
© Avanti Studio · Photo: Aramis León

12/10/2026

Designers on Designers
Federico Parra Barrios and Eric Hu

How does a typeface find its voice in the hands of another?

Every typeface has a life beyond its creator’s desk, and every great achievement in editorial design begins with choosing the right letterforms. This virtual event, organized by AIGA NY, offers a glimpse into one such collaboration: the development of Exposure, a typeface created by Federico Parra Barrios, and its use by designer Eric Hu in the pages of Volume 7 of ATMOS.

Friday, October 16
12:00 p.m. – 1:15 p.m. EST

—

08/10/2026

Roman Seban will present his typeface Bertin during a talk as part of the Format(s) festival in Strasbourg.

Designed by Roman Seban, Bertin draws inspiration from the work of renowned French cartographer Jacques Bertin and Dutch graphic designer Jurriaan Schrofer, exploring modularity, information and visual systems.

Saturday, October 10 — 3 PM (CET)
COOP CRIC
6, Place de la Virgule
67000 Strasbourg, France

—⁠

Project: Collection CaillouxTypeface: Indiana (Malou Verlomme, 205TF), Clarenville WIP (Matthieu Cortat & 205TF)Graphic ...
06/10/2026

Project: Collection Cailloux
Typeface: Indiana (Malou Verlomme, 205TF), Clarenville WIP (Matthieu Cortat & 205TF)
Graphic Design: Éditions 205

Project: Architecture situéeTypefaces: Immortel (Clément Le Tulle-Neyret, 205TF); Antique Legacy (Optimo)Designer: Build...
01/10/2026

Project: Architecture située
Typefaces: Immortel (Clément Le Tulle-Neyret, 205TF); Antique Legacy (Optimo)
Designer: Building Paris
Publisher: Building Books

25/09/2026

Leopardo, designed by Alexandre Bassi, draws inspiration from rich chancery models created by writing masters of the 16th and 17th centuries, offering a boldly contemporary interpretation.

Alexandre Bassi developed a deep fascination for these calligraphic models, captivated by the complexity and freedom of their shapes, sometimes pushing them to the limits of exuberance. Originally drawn with thin nibs and engraved on copper, these works significantly affected the initial sketches of Round hand script. Leopardo takes its name from the writing manual De caratteri di Leopardo Antonozzi, which greatly influenced the type designer.

Leopardo captures the vitality of the calligraphic gesture while maintaining the stability and coherence of a typographic system. The design reveals a rich variety of details, characterized by a quick ductus, pronounced contrast, sharp terminals, and recurring drops, which liven up the typographic colour.

This display typeface comes in four styles: Laser, Thin, Light, and Regular. It offers a generous palette of glyphs and style variants, with numerous ligatures, as well as initial and final letters that enhance typographic compositions.

—⁠

Interview: “Maax — A Versatile Typeface” with Damien GautierDesigned by Damien Gautier, Maax is a typeface conceived to ...
23/09/2026

Interview: “Maax — A Versatile Typeface” with Damien Gautier

Designed by Damien Gautier, Maax is a typeface conceived to adapt to a wide range of uses and editorial contexts. Originally published in étapes: 268, this interview explores the origins of the project, the designer’s approach to type design, and the ideas that shaped its development.

Interview by Caroline Bouige for Étapes 268, July / August 2022

Read it on 205.tf

—⁠

Project: Poulomi Basu: PhantasmagoriaTypefaces: Louize (Matthieu Cortat, 205TF); Jungka Medium (Jung-Lee Type Foundry)De...
18/09/2026

Project: Poulomi Basu: Phantasmagoria
Typefaces: Louize (Matthieu Cortat, 205TF); Jungka Medium (Jung-Lee Type Foundry)
Designer: Sibel Beyer
Editors: Sonja Palade, Nadine Wietlisbach / Fotomuseum Winterthur
Publisher: Distanz Verlag

Project: L’ŒilTypefaces: Gando, Muoto Mono (Matthieu Cortat, 205TF); Pinokio (Tanguy Vanlaeys, 205TF)Designer: Bureau 20...
16/09/2026

Project: L’Œil
Typefaces: Gando, Muoto Mono (Matthieu Cortat, 205TF); Pinokio (Tanguy Vanlaeys, 205TF)
Designer: Bureau 205

11/09/2026

New Release: Castillon by Malou Verlomme⁠
⁠
Castillon is a typeface that stands at the intersection of two traditions: French and British, the broad-nib pen and stone carving.⁠
⁠
On the British side, there is a direct and unbroken lineage spanning two centuries: Edward Johnston (1872–1944) and David Kindersley (1915–1995). Two distinguished type designers who shared the same conviction: the letter begins with the gesture and is then revealed to the eye.⁠
⁠
On the French side, the typeface reveals an equally important parallel lineage: Maximilien Vox (1894–1974), José Mendoza y Almeida (1926–2018), and Roger Excoffon (1910–1983). Less austere and more distinctly Latin in character, this tradition is driven by the same pursuit of the perfect stroke.⁠
⁠
These two traditions—sometimes seen as contradictory—ultimately share a common foundation. First, in their tools: the broad-nib pen and the chisel that cuts into stone. Then, in the attention paid to the gesture, executed with quiet assurance, and to the counters that naturally result from it.⁠
⁠
This is where Castillon comes into being—not as a pastiche of a historical style, but as an exploration of what these foundational figures might have created together: a typeface that embraces its origins while offering a surprising synthesis of them.⁠
⁠
Castillon is a typeface that does not hide its influences but instead offers a contemporary and original interpretation of them. The family is deliberately extensive, broadening its range of applications. It comprises six weights—each with its own distinct personality—and as many italics. Only slightly inclined and intentionally narrow, the italic deliberately departs from the mechanical oblique. While it has a distinct voice of its own, it complements the roman with ease.⁠
⁠
—⁠

Adresse

Lyon
69006

Téléphone

0437478569

Notifications

Soyez le premier à savoir et laissez-nous vous envoyer un courriel lorsque 205TF publie des nouvelles et des promotions. Votre adresse e-mail ne sera pas utilisée à d'autres fins, et vous pouvez vous désabonner à tout moment.

Raccourcis

Partager

Catégorie