03/09/2026
In the mid-’90s, Fender released a new version of their classic Fender VI baritone guitar. I spotted one at F-Musiikki back in the day and fell in love with it, partly because I had seen John Lennon playing one in The Beatles’ videos. But the baritone also had a more modern dimension.
Hiili Hiilesmaa used one extensively in the studio while recording Jimsonweed’s and HIM’s first records. The Fender VI sits tonally somewhere between a guitar and a bass, adding a wonderfully growling texture to the heaviest riffs. I also played this very instrument on Jimsonweed’s Hippies from Hell – the rumbling accents on “Dark Sun,” punk-style riffing on “Precious Ride,” and a Jethro Tull-esque folk strumming at the end of “Planet Girl.”
Around the turn of the millennium, I spent a few years living the traveller life and, short of money, put the instrument on sale at the same place I had bought it from. I didn’t see it again for decades. At some point, I found out that Jukka Puurula, the bassist of Don Huonot, had bought it.
I saw Jukka from time to time, and we talked about the instrument. Now, as we prepare for the Suho Superstar memorial show, I borrowed it from him, and sure enough, those same notes and tones were still hiding inside it. It needed a little maintenance too. By this point, Jukka had replaced the bridge, for the more sturdier version. The electronics needed cleaning, the strings had to be replaced, and the intonation adjusted until the instrument was playing like a dream again.
Playing a baritone guitar takes quite a bit of strength, something my fingers no longer have, but little by little, we’ve found our way back to each other. If the stars align, you can hear this beast at Tavastia-klubi on September 16, when I return to the music of Jimsonweed after a quarter of a century. After the show, the instrument will go back to Jukka, but until then, I am going to enjoy every minute with it.