Strauss Elektroakustik

Strauss Elektroakustik Pure Analog Reference Monitoring & Electronics
Architectural Acoustic Design
Nothing Added. Nothing Lost.

SE MF-4 in the control room at the STRAUSS ELEKTROAKUSTIK Los Angeles Showroom.A dedicated environment for experiencing ...
03/09/2026

SE MF-4 in the control room at the STRAUSS ELEKTROAKUSTIK Los Angeles Showroom.

A dedicated environment for experiencing STRAUSS ELEKTROAKUSTIK monitoring in a critical studio setting — from recording and mixing to mastering and high-level music listening.

The Los Angeles showroom features the SE MF-4, SE NF-3, SE PA-100 amplification, and now the new SE AP Series and SE REQ-1S analog room equalizer.

Private demonstrations are available by appointment.

For demonstrations, pricing and availability, send us a message or contact us at www. strauss-elektroakustik.com

STRAUSS ELEKTROAKUSTIK
Nothing Added. Nothing Lost.

The entrance to THE LAB — SE MUSICLAB, Bern.⁠⁠Even the transition into THE LAB was designed as part of the acoustic expe...
28/08/2026

The entrance to THE LAB — SE MUSICLAB, Bern.⁠

Even the transition into THE LAB was designed as part of the acoustic experience.⁠

From the seven-meter-high reverberant hall outside, the curved passage progressively removes the acoustic impression of the surrounding space as it leads you through the massive clay structure and into THE LAB.⁠

The world’s first robot-fabricated clay wall is formed from 32,000 individually positioned clay cylinders and surrounds the completely decoupled listening environment within — developed in collaboration with Gramazio Kohler Research at ETH Zürich.⁠

Explore SE MUSICLAB and THE LAB at strauss-elektroakustik.com

Elektroakustik Journal | Vol. 6⁠Crossovers & Wavelengths — Driver Spacing & Wavelength Size⁠A crossover is not only an e...
26/08/2026

Elektroakustik Journal | Vol. 6⁠
Crossovers & Wavelengths — Driver Spacing & Wavelength Size⁠

A crossover is not only an electrical transition.⁠
It is also an acoustic and geometric one.⁠

At any frequency, wavelength defines the physical distance over which the phase of a sound wave repeats. In a multiway loudspeaker, when two or more radiators contribute through the same crossover region, the distance between their acoustic centers becomes part of the system’s behavior.⁠

As that spacing becomes small relative to wavelength, their outputs can combine more coherently across a wider listening area.⁠

As spacing increases relative to wavelength, differences in path length create greater phase differences off axis — producing increasingly pronounced lobing and variation in directivity.⁠

This is why crossover design cannot be reduced to filter slopes alone.⁠

The crossover shapes how the drivers transition between frequency ranges and how their outputs combine through that region. It cannot eliminate the physical distance between the radiators or change the wavelength of the frequencies they reproduce.⁠

Driver spacing, crossover frequency, acoustic phase, individual-driver directivity, and geometry must therefore be considered together.⁠

The objective is coherent radiation through the crossover region: smooth summation, controlled directivity, and predictable off-axis behavior.⁠

Keeping simultaneously radiating drivers close relative to the wavelength of the frequencies they share reduces the path-length differences that produce lobing and spatial variation.⁠

Physical layout is therefore part of crossover design itself. The electrical network and the geometry of the radiators must work together as a single acoustic system.⁠

Physics sets the constraints.⁠
Engineering determines the outcome.⁠

STRAUSS ELEKTROAKUSTIK
Nothing Added. Nothing Lost.⁠

Explore STRAUSS ELEKTROAKUSTIK monitoring systems, electronics, and acoustic design at strauss-elektroakustik.com

SE MF-4S with dual SE PA-250 amplification⁠The SE MF-4S is the floorstanding expression of our midfield monitor architec...
25/08/2026

SE MF-4S with dual SE PA-250 amplification⁠

The SE MF-4S is the floorstanding expression of our midfield monitor architecture, carrying the precision, dynamics and low-frequency performance of the SE MF-4 into a dedicated floorstanding design.⁠

At its core is the same 12-inch underhung Low Inertia Technology (LIT) woofer used in the SE MF-4 — a custom Strauss-developed driver designed specifically for Strauss systems, utilizing the same LIT architecture as the 15-inch woofer of the SE MF-2.1 and SE MF-20.

The underhung voice-coil design, exceptionally low moving mass and high-flux neodymium motor system minimize mechanical loss and stored energy, allowing the driver to respond with exceptional speed and control.⁠

The result is low-frequency reproduction that remains articulate, immediate and dynamically connected to the rest of the system.⁠

The MF-4S cabinet geometry places the acoustic center and radiation geometry at a height optimized for seated listening, while maintaining the physical time alignment, phase coherence and controlled directivity fundamental to Strauss monitoring systems.⁠

Technical Data⁠
12” LIT woofer / 1” compression driver⁠
28 Hz – 22 kHz (–6 dB)⁠
91 dB / 1 W / 1 m⁠
8 Ω nominal / 4 Ω minimum⁠
100 W RMS⁠
1200 Hz crossover⁠
THD < 0.5% (91 dB / 1 m / 100 Hz – 22 kHz)⁠
80° horizontal / 60° vertical dispersion⁠

SE PA-100 or dual SE PA-250 amplification⁠

Strauss Elektroakustik⁠
Nothing Added. Nothing Lost.⁠

Photo courtesy of SFERS

21/08/2026

Jürgen Strauss with Dimi Vesos

Listening to the SE MF-4, driven by dual SE PA-250 amplification.

At the heart of every STRAUSS ELEKTROAKUSTIK system is the same objective: to let the recording speak for itself.

Clarity, spatial coherence, dynamic expression and tonal neutrality—preserved without adding a character of its own.

Here, Jürgen settles into the listening position with the SE MF-4.

As with every STRAUSS ELEKTROAKUSTIK system, the goal is to disappear into the room and leave the focus where it belongs: on the music.

STRAUSS ELEKTROAKUSTIK
Nothing Added. Nothing Lost.

🎥:

Custom SE Line Source — Dave Brubeck Touring SystemPictured during setup in the Grosser Saal at Casino Bern, this custom...
05/08/2026

Custom SE Line Source — Dave Brubeck Touring System

Pictured during setup in the Grosser Saal at Casino Bern, this custom SE line source touring system was designed and built by Jürgen Strauss for legendary jazz pianist Dave Brubeck.

Developed specifically for touring and concert-hall applications, the modular system was engineered for efficient transport, assembly and dismantling while maintaining the controlled coverage and acoustic performance expected of a STRAUSS ELEKTROAKUSTIK system.

Every STRAUSS ELEKTROAKUSTIK Custom Monitoring project begins with the client and the intended application. We work directly with artists, venues, studios, institutions and system designers to understand the acoustic environment, coverage requirements, listening distances, output demands, workflow and practical constraints—then develop a loudspeaker system precisely suited to them.

This same approach continues today across recording and mastering studios, immersive facilities, concert halls, research environments and touring productions, creating custom monitoring systems for applications where a standard loudspeaker format is simply not enough.

Discover Custom Monitoring and begin your project at:

https://strauss-elektroakustik.com/pages/custom-monitoring
(Link in Bio)

SE REQ-1SAnalog Reference Monitoring EqualizerThe SE REQ-1S extends the STRAUSS ELEKTROAKUSTIK reference-monitoring meth...
03/08/2026

SE REQ-1S
Analog Reference Monitoring Equalizer

The SE REQ-1S extends the STRAUSS ELEKTROAKUSTIK reference-monitoring method beyond the loudspeaker and into the monitoring signal path itself.

Developed for professional studios, mastering rooms and high-end listening systems, the SE REQ-1S allows room-related spectral imbalances to be addressed and the system response precisely tailored to the preferred target curve while maintaining the spatial, transient and dynamic integrity required for critical listening.

Key design features include:

• 18 fully parametric bands for precise acoustic calibration
• High- and low-frequency shelving filters for broadband tonal shaping
• Dual-mono architecture for independent left- and right-channel calibration
• –6 dB input pad for additional gain-management flexibility
• Noise floor below –120 dB
• Fully analog signal path with no DSP or conversion latency

Maintaining a fully analog correction path offers numerous advantages throughout critical listening, mixing, mastering and system evaluation.

Consider, for example, comparing two high-end A/D converters used to capture an analog mix or master. The objective is to accurately evaluate the digital result produced by each converter.

When an analog monitoring signal is routed through DSP-based correction, it must first undergo A/D conversion, followed by digital processing and D/A conversion for playback. Those processes exist only within the monitoring path and are not contained in the recorded mix or final master.

The SE REQ-1S allows room-related response issues to be corrected and the target curve precisely tailored without adding those digital processes to the monitoring chain.

The result is a listening environment calibrated for the room and tailored to the user’s preferred response while maintaining a fully analog signal path with no added conversion latency.

Discover the SE REQ-1S at:

strauss-elektroakustik.com
(Link in Bio)

Interested in the SE REQ-1S for your studio or listening system? Send us a DM or contact us through the website to discuss your system and project requirements.

STRAUSS ELEKTROAKUSTIK Custom Monitoring — Engineered Beyond StandardWhen standard loudspeaker formats are not appropria...
31/07/2026

STRAUSS ELEKTROAKUSTIK Custom Monitoring — Engineered Beyond Standard

When standard loudspeaker formats are not appropriate, STRAUSS ELEKTROAKUSTIK designs and develops custom monitoring systems for specialized applications—from recording and mastering studios, immersive facilities and film stages to concert halls, research environments and touring productions.

Pictured during testing at the SE MUSICLAB in Bern, this custom SE line source system is engineered around its intended space and application, including room acoustics, listening distance, coverage, output requirements and workflow.

Whether integrated into a permanent installation or developed for touring deployment, every STRAUSS ELEKTROAKUSTIK system is designed to preserve the essential qualities of a true reference: neutrality, resolution, stable imaging and consistent performance under real-world conditions.

Discover the possibilities and begin your Custom Monitoring project at
strauss-elektroakustik.com
(Link in Bio)

STRAUSS ELEKTROAKUSTIK Passive Reference Monitors at the SE MusicLab, BernSE MF-2.1, SE MF-4 and SE NF-3—displayed toget...
29/07/2026

STRAUSS ELEKTROAKUSTIK Passive Reference Monitors at the SE MusicLab, Bern

SE MF-2.1, SE MF-4 and SE NF-3—displayed together in the halls of the SE MusicLab.

From large-format reference monitoring to nearfield precision, each is engineered to reveal the signal with accuracy and coherence.

Experience Strauss Elektroakustik by appointment in Bern or Los Angeles.

Inquire about demonstrations, custom acoustic design and professional system integration.

strauss-elektroakustik.com
(Link in Bio)

Joe Joaquin | Grammy-Winning Mix & Mastering EngineerWith credits including Leonel García, Mighty Oaks, Juli, AnnenMayKa...
24/07/2026

Joe Joaquin | Grammy-Winning Mix & Mastering Engineer

With credits including Leonel García, Mighty Oaks, Juli, AnnenMayKantereit, Bukahara and Lotte, Joe works across mixing and mastering from his Custom Mojo Studio in Germany.

“I have relied on the NF-3 daily for 123 full moons now (I counted) and simply refuse to work without them. They combine unmatched accuracy and honesty with musicality and fun.”

Joe mixed Leonel García’s Pausa on the SE NF-3. The album received the 2024 Latin Grammy for Best Singer-Songwriter Album.

Read Joe’s full testimonial and hear from more STRAUSS ELEKTROAKUSTIK ambassadors at strauss-elektroakustik.com. (Link in Bio)

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