Limecraft, Sint Salvatorstraat 18b/301, Ghent (2026)

05/06/2026

🌍 𝗢𝗻 𝗪𝗼𝗿𝗹𝗱 𝗘𝗻𝘃𝗶𝗿𝗼𝗻𝗺𝗲𝗻𝘁 𝗗𝗮𝘆, 𝘄𝗲'𝗿𝗲 𝘀𝗵𝗮𝗿𝗶𝗻𝗴 𝗮 𝗱𝗶𝗳𝗳𝗲𝗿𝗲𝗻𝘁 𝗸𝗶𝗻𝗱 𝗼𝗳 𝗱𝗮𝘁𝗮.

Our annual Carbon Footprint Report for FY25 shows a total footprint of 142.8 tonnes CO2e. That is a 12% reduction compared to FY24 (162.5 tonnes), yet slightly higher than FY23 (132.8 tonnes).

A straight line would make a tidier story, but we prefer transparency and solid numbers. And, taking into account the growing footprint of our platform, this is an excellent result 👏

Like most software vendors, the majority of our emissions are outside our direct control. Scope 3 emissions, including suppliers, infrastructure, travel and other indirect components, account for 95% of the total.
That is why consistent reporting matters. It helps us trace the contributions per category, what we can reduce, and where we need to stay accountable.

🌳 For the third year in a row, Limecraft has offset its full footprint, including Scope 1, 2 and 3, through Go Forest .

Another step on our path towards Net Zero by 2030. More info in our Carbon Footprint Report.

03/06/2026

🎬 Excited to officially introduce Limecraft Academy, launching in July 2026.

After some fantastic conversations at MPTS , we’re excited to bring modern production workflows into the classrooms, giving students hands-on experience with the tools and processes used across today’s media industry.

What's in the package?

✔️ Industry-standard production workflows
✔️ Collaborative project environments
✔️ Smart media organisation & asset management
✔️ Editing-ready project delivery
✔️ Limecraft Certification Pathway

🚀 It was great connecting with students, lecturers, and faculty members from so many universities at MPTS, including Queen Mary University of London , The University of Salford , University of Westminster , Windsor College , Coleg Sir Gâr and Ceredigion , De Montfort University Leicester (DMU) , Cardiff Metropolitan University and BFI Film Academy . We’re excited to continue those conversations and explore future collaborations.

We’re also proud to already be working alongside leading educational institutions like Solent University, Film EU European University, VUB and KULeuven helping students gain access to real-world production environments and industry-ready workflows.

Interested in bringing real-world production workflows to your students? Let’s talk.

02/06/2026

📍𝗟𝗼𝗻𝗱𝗼𝗻 | 𝟮𝟱 𝗝𝘂𝗻𝗲.

Join us for an exclusive industry gathering, bringing together professionals from across broadcast, production, post-production, media technology, and education.

Together, we'll explore workflow innovation, AI, cloud operations, automation, and the future of content creation through a series of practical talks and industry discussions.

👥 Joining us on stage:
Steve MacPherson, Nico Oorts, Ricardo Herreros Symons, Maarten Verwaest, Leonardo Re & Dieter Van Rijsselbergen.

Please note this is an invitation only event, with only a few spots left.

📩 Interested in joining us? Send us a DM.

28/05/2026

🗓️ 𝗟𝗶𝗺𝗲𝗰𝗿𝗮𝗳𝘁 𝟮𝟬𝟮𝟲.𝟰 – 𝗕𝘂𝗶𝗹𝘁 𝗳𝗼𝗿 𝘄𝗵𝗮𝘁 𝗰𝗼𝗺𝗲𝘀 𝗻𝗲𝘅𝘁

Join us on June 18 for a first look at what's coming in Limecraft 2026.4 release. On the agenda:

👥 Group & Team Management
Large accounts know the pain: too many workspaces, too many users, too much time spent on access management. Limecraft 2026.4 introduces "Teams": define users, workspaces and permissions in one place, and access updates automatically as new productions are created.

🔁 Advanced Audio Sync using Waveform Matching
Timecode works for most shoots, but not when clocks drift, audio cards arrive late, or timecode is simply missing. Audio fingerprinting fills that gap, matching video and audio by waveform during the backup job itself, so sync holds up even when timecode doesn't.

📲 Push notifications in the mobile app
Keep up with production updates wherever you are.

See you there – grab your spot via the link in the comments!

27/05/2026

🔐 𝗙𝗶𝗹𝗲 𝗩𝗲𝗿𝗶𝗳𝗶𝗰𝗮𝘁𝗶𝗼𝗻: 𝗣𝗿𝗼𝗼𝗳 𝗼𝗳 𝗶𝗻𝘁𝗲𝗴𝗿𝗶𝘁𝘆, 𝗯𝘂𝗶𝗹𝘁 𝗶𝗻𝘁𝗼 𝗲𝘃𝗲𝗿𝘆 𝗼𝗳𝗳𝗹𝗼𝗮𝗱

An offload is only complete when it can be verified.

That’s why Limecraft 2026.3 adds ASC MHL generation directly during ingest and offload. The verification report travels with the media, allowing every stakeholder in the chain to independently validate file integrity using any MHL-compatible tool.

Behind the scenes, verification works by processing all files in a transfer through a checksum algorithm, reducing an entire folder structure to a unique digital fingerprint. The result is stored in an MHL or PDF report and can be revalidated at any point in the workflow.

Why it matters? Because production media is often irreplaceable. Verification helps detect corruption, incomplete transfers, or unwanted changes before they become expensive problems.

Limecraft Edge now also supports selectable checksum algorithms. Alongside MD5, productions can use xxHash64 and xxHash3 64-bit for faster verification performance on high-volume shoots — while maintaining interoperability across systems and vendors through standardized MHL reporting.

And for teams that require strict data integrity policies: verification can be made mandatory as part of the offload workflow.

👀 Jonna and Maarten walk you through it in the video.

22/05/2026

𝙒𝙝𝙮 𝙘𝙧𝙚𝙖𝙩𝙞𝙣𝙜 𝘽𝙧𝙤𝙖𝙙𝙘𝙖𝙨𝙩-𝙜𝙧𝙖𝙙𝙚 𝙨𝙪𝙗𝙩𝙞𝙩𝙡𝙞𝙣𝙜 𝙤𝙥𝙩𝙞𝙢𝙞𝙨𝙚𝙙 𝙛𝙤𝙧 𝙃𝙞𝙜𝙝-𝙍𝙚𝙖𝙙𝙖𝙗𝙞𝙡𝙞𝙩𝙮 𝙞𝙨 𝙢𝙖𝙩𝙚𝙧𝙞𝙖𝙡𝙡𝙮 𝙙𝙞𝙛𝙛𝙚𝙧𝙚𝙣𝙩 𝙛𝙧𝙤𝙢 “𝘼𝙄 𝙘𝙖𝙥𝙩𝙞𝙤𝙣𝙨”

Creating readable, professional subtitles is about far more complex than splitting a transcript every 40 characters.

Each broadcaster and streaming platform maintains detailed subtitle style guides covering timing, line breaks, reading speed, speaker changes, shot changes, positioning, punctuation and much more. Because good subtitles are not just technically correct. You want them to be as close to invisible as possible.

Poorly auto-generated garbled captions expose the defects immediately:

• awkward line breaks
• subtitles appearing too early or too late
• captions fighting against the rhythm of the edit
• rapid flashing that creates a stroboscopic viewing experience
• sentences broken at unnatural points

The problem? Even the best “AI subtitle” services treat subtitling as a text problem. It is not. Subtitling is editorial craft. Timing matters. Rhythm matters. Editorial intent matters.

At Limecraft, we approach subtitling from a post-production perspective. Our AI agents are designed to create state-of-the-art subtitles that follow your specific style guide and respect the editorial cadence.

Because the goal is not simply to generate captions.

The goal is to create subtitles viewers barely notice — because they feel natural.

Not convinced yet? Give it a try yourself.

21/05/2026

Back from MPTS, heavily loaded and still digesting. One theme kept recurring.

What was most striking this year was how much the industry has matured. The debate is no longer whether best practices will/need to change. The real question remains how to make complexity manageable, instead of simply adding more of it.

Across MPTS, earlier industry events, and DPP discussions, much of the conversation focused on whether large-scale transformation would happen. The pressure is real: more content, more deliverables, tighter turnaround times, growing complexity, AI deployed in a hurry due to FOMO, and certain steps in post-production being decimated.

So how do you transform operations in flight while everything is moving at full speed? Production teams rarely have the luxury to stop, redesign workflows from scratch, and restart. Yet, operational pressure keeps slowly increasing.

The panel discussion with NEP Group, Inc. Europe and ITV Studios resonated strongly. The key message stood out very clearly: meaningful transformation only happens through openness, collaboration, and partnership, not through theoretical “silver bullet” solutions. Organisations have to rethink assumptions together and align technology with operational reality.

The collaboration between NEP Europe, ITV Studios and Limecraft showcases that approach: moving workflow intelligence upstream, capturing editorial intent earlier in the process, bringing editorial and post-production together in a collaborative model, and building workflows that remain operationally usable throughout the chain.

Thanks to all partners and customers we had the chance to talk to at MPTS, for pointing us in the right direction. Your insights are invaluable 🙏

19/05/2026

🎬 𝗔𝗔𝗙 𝗘𝘅𝗽𝗼𝗿𝘁: 𝗧𝗿𝗮𝗰𝗸-𝗹𝗲𝘃𝗲𝗹 𝗰𝗼𝗻𝘁𝗿𝗼𝗹 𝗳𝗼𝗿 Avid 𝘄𝗼𝗿𝗸𝗳𝗹𝗼𝘄𝘀

On complex productions, getting the sequence right the first time is non-negotiable. Limecraft 2026.3 extends AAF export templates with advanced track mapping: master clips or group clips, camera and audio device selection, custom labels, multi-channel audio per subtrack. The sequence builds itself.

Especially relevant for multicamera, multi-track and high-volume productions where a predictable timeline is worth its weight in rushes.

👀 Check the video where Jonna and Maarten walk you through it.

11/05/2026

🚨 𝗟𝗮𝘀𝘁 𝗰𝗮𝗹𝗹: 𝗟𝗶𝗺𝗲𝗰𝗿𝗮𝗳𝘁 @ MPTS 𝘁𝗵𝗶𝘀 𝘄𝗲𝗲𝗸

This Wednesday and Thursday, you'll find us at Stand F70 at Olympia London, ready to rethink high-volume workflows, distributed production, and the relentless pressure of tighter turnarounds.

Also on the programme – and not to be missed: our co-founder Maarten Verwaest takes the stage on Wednesday 13 May at 15:15 in the Production Theatre, alongside Jonathan Vermeulen (NEP Europe) and Edwin van der Veen (ITV Studios Netherlands), chaired by Louise Wells (Bubble Agency).

They'll share first-hand insights from building a connected production workflow for The Voice of Holland, from live capture to edit-ready content in real time, across dozens of cameras and unforgiving turnaround windows.

📍 Stand F70 | 13–14 May | Olympia London
🎤 "From Capture to Cut in Real Time" | Wed 13 May | 15:15 | Production Theatre

👉 Schedule's filling up, grab your slot via the link in the comments.

08/05/2026

𝘽𝙚𝙝𝙞𝙣𝙙 𝙚𝙫𝙚𝙧𝙮 𝙨𝙪𝙘𝙘𝙚𝙨𝙨𝙛𝙪𝙡 𝙢𝙚𝙙𝙞𝙖 𝙤𝙥𝙚𝙧𝙖𝙩𝙞𝙤𝙣 𝙞𝙨 𝙖 𝙨𝙩𝙧𝙤𝙣𝙜 𝙬𝙤𝙧𝙠𝙛𝙡𝙤𝙬 𝙩𝙝𝙖𝙩 𝙙𝙤𝙚𝙨 𝙩𝙝𝙚 𝙟𝙤𝙗 𝙦𝙪𝙞𝙚𝙩𝙡𝙮, 𝙧𝙚𝙡𝙞𝙖𝙗𝙡𝙮, 𝙖𝙣𝙙 𝙖𝙩 𝙨𝙘𝙖𝙡𝙚.

May sound simple, but real-life production workflows quickly become complex. Ingest, storage management, transcription, subtitling, archive logic, content exports, notifications, AI pipelines, graphic-content signalling, delivery checks. Each production has its own requirements and exceptions; often involving dozens of documents exchanged by email.

Limecraft is built to manage that complexity without turning workflow changes into development projects.

With Limecraft, workflow templates are configured centrally at account level. Admins define reusable templates for recurring processes, then quickly bring new workflow instances alive when bootstrapping a new workspace. That means less setup, fewer manual steps, and more consistency across productions.

At the same time, workflows remain flexible. Limecraft’s low-code approach makes it easy to configure and customise workflows to match the needs of specific broadcasters, producers, language service providers, or archive operations.

Ex*****on is handled through local agents, so media processing can take place close to the content and storage environment. Meanwhile, workflow progress is reported centrally in real time through the Workflow Overview, giving admins visibility into what is running, completed, blocked, or failed.

The result is an optimal balance between central control and local ex*****on.

For you as a producer, this means:
⚡ Faster and more cost-effective setup
⚡ Flexible configuration without unnecessary custom development
⚡ Better visibility across workflows
⚡ Easier troubleshooting and control
⚡ A solid foundation that evolves with changing requirements

Media operations keep growing more complex. More content, versions, delivery requirements, automation, and AI-assisted processes add pressure to editorial. Limecraft helps them stay on top with configurable, reusable workflows and maximum visibility.

👉 To learn more, book a demo.

Limecraft

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