14/04/2026
There’s something quietly captivating about a grand piano playing on its own.
Here we see, a Steinway & Sons Model D 1969 Grand Piano from our studio, moving with absolute precision — every keystroke deliberate, every note perfectly placed. No performer in sight, yet the room feels completely alive.
This takes us back.
Before BMC Audio Visual, there was Baker Street Recordings — a studio founded in the early 90s with a clear focus: recording, mixing and mastering acoustic instruments exactly as they are. Pianos, strings, percussions, woodwinds… instruments where every nuance matters, and there’s no room to hide behind processing.
That environment teaches you something fundamental —
you can’t recreate what you don’t truly understand.
Days would disappear chasing the right take. Not just technically correct, but emotionally right. Listening to how a note blooms, how it carries, how it fades into silence. Learning that the space around the instrument is just as important as the instrument itself.
Years spent working with real instruments builds a musical reference. Not just measurements or theory, but an instinctive understanding of tone, dynamics, and space. How a piano carries weight. How a note decays into silence. How a room shapes everything you hear.
And that reference becomes the benchmark.
Because when we design a private home cinema or a HiFi system today, the goal isn’t simply impressive sound — it’s believable sound. Sound that feels anchored to reality, not exaggerated or artificial.
That early foundation still defines how we approach every project.
Acoustics, calibration, system design — all working toward one outcome: preserving the integrity of the original performance.
Watching this piano play itself isn’t just a moment of play.
It’s a reminder of where it all began.
Before the cinemas. Before the technology.
There was a studio… and an emotional attachment to getting the sound right.