New Magic Australia Pty Ltd

New Magic Australia Pty Ltd This profile is for our resellers and customers to receive (as they happen) product, information upd

Since 1993 New Magic Australia has represented and distributed only the highest quality multimedia hardware and software. We represent a carefully selected range of innovative, leading manufacturers, catering for both the professional and consumer markets.

28/05/2026

Today we released public beta 4 of DaVinci Resolve 21 which adds improvements and bug fixes for Resolve effects on still images, AI CineFocus visual quality, AI beauty tools, keyframe editor workflows and immersive video support.

For the photo page, Resolve FX now behave more reliably when transforming still images. If you resize or reposition a photo with an effect applied, overlays and on screen controls now remain correctly aligned, making it easier to fine tune adjustments without interruption. The update also improves transparency handling for effects on stills, remembers effect favorites between app launches and fixes warper tool behavior on photos so you can more accurately reshape and manipulate images.

There is also more accurate highlight representation for Canon CR2 and CR3 images. This means bright areas in photos retain a more natural appearance and no longer look darker than expected when grading or compositing.

On the Edit and Cut pages, the keyframe editor now supports Fusion motion paths and other modifiers. This allows animation curves, motion paths and linked parameters from Fusion titles, effects and macros to be adjusted directly alongside timeline keyframes. This means editors can now adjust animated graphics and Fusion effects directly in the keyframe editor, making complex animations faster and easier to refine.

For DaVinci Resolve Studio users, AI CineFocus has been improved to produce more realistic shallow depth of field effects. Better and Faster modes now handle subtle blur more cleanly, while reductions in edge shimmer, stair stepping and halos help foreground subjects separate more naturally from backgrounds. This is especially useful when simulating lens focus effects on interviews, close ups or archival footage.

AI beauty tools have also been refined with the blemish removal tool allowing greater precision for facial area so corrections stay focused only where needed, and better support for alpha layer workflows with the face refinement tool. This makes it easier to isolate and track facial adjustments automatically, reducing the need for manual masking when working on beauty, fashion or interview shots.

In addition, this update adds support for Insta360 native colorspace along with improved DNG decode handling with color value and profile look table support for more consistent image reproduction.

DaVinci Resolve 21 Public Beta 4 update is available now as a free download from https://bmd.link/WjEotc

18/05/2026

Today we released public beta 3 of DaVinci Resolve 21 which adds improvements and bug fixes across MultiMaster collaboration workflows, still image capture and color management, graphics workflows, and immersive video support.

This update improves collaborative workflows with more flexible MultiMaster trim selection, allowing each user to independently choose trims per timeline without affecting other users. This means colorists with Dolby Vision capable displays and dailies editors with laptops can choose different active trims without affecting one another.

This beta also includes improvements for the photo page, including support for live camera capture from Sony Alpha 7 V cameras, allowing you to capture, grade and organize an entire shoot without leaving DaVinci Resolve. There are also new photo page capture controls for camera orientation, a capture option to add photos to a new album and improved photo thumbnail information for small thumbnail widths. This update also adds support for colorspace and gamma controls for NEF sRAW stills, better chromatic aberration and distortion correction of RAF stills and greater image editor compatibility for exported sRGB HEIC files. Plus, there’s now support for decoding Panasonic Lumix RW2 files.

DaVinci Resolve 21 Beta 3 adds new scripting APIs for AI based workflows including IntelliSearch analysis, Slate analysis, motion blur removal and background task controls, along with improvements to the updated Macro Editor for building Fusion templates and macros more efficiently. There’s also face age transformer improvements for small age changes, bad lighting and partial faces.

In addition, this update improves immersive YouTube render metadata for VR and stereoscopic workflows, including improved Stereo3D VR metadata handling for side by side and top bottom renders, as well as spherical immersive metadata support for YouTube VR video exports.

DaVinci Resolve 21 Public Beta 3 update is available now as a free download from https://bmd.link/v773W3

Blackmagic Design have shared that two URSA Cine 17K 65 digital film cameras and a PYXIS 12K were used to shoot the indi...
14/05/2026

Blackmagic Design have shared that two URSA Cine 17K 65 digital film cameras and a PYXIS 12K were used to shoot the indie feature film “Bedlam."

“Bedlam” is set in 1750s London and follows bare knuckle boxer Jack Slack (played by Scott Adkins) as he attempts to free his sister from the notorious asylum that gives the film its name. Its world is defined by firelight, smoke, and constrained interiors, all of which placed significant demands on the cinematography. Jon Sheikh’s vision was for the dramatic sequences to carry as much narrative weight as the film’s fight scenes, with the visual approach needing to support that balance with consistency and detail.

The full article can be found at https://www.blackmagicdesign.com/au/media/release/20260513-01

08/05/2026

Today we announced that Blackmagic PYXIS 12K has been added to the Netflix Approved Camera List. Officially titled “Cameras and Image Capture: Requirements and Best Practices”, the list highlights the capture requirements necessary to be qualified as an approved camera by the streamer, including dynamic range, resolution, codec, workflow compatibility and more. Netflix requires 90% of a program’s final total runtime to be captured on approved cameras.

The list already includes the Blackmagic URSA Cine 17K 65, Blackmagic URSA Cine 12K LF, Blackmagic URSA Mini Pro 12K OLPF and URSA Mini Pro 4.6K G2 amongst its approved systems.

Blackmagic PYXIS 12K is a high end digital film camera that produces precise skin tones and rich organic colors. It features an extremely versatile design that lets you build the perfect camera rig for your production! You get a full frame 12K sensor with wide dynamic range with a built in optical low pass filter that's been designed to perfectly match the sensor. Plus there are 3 models available in either EF, PL or L-Mount. You also get 2 x CFexpress media recorders and Ethernet for sharing media to Blackmagic Cloud! It even records both 12-bit Blackmagic RAW and extremely small H.264 proxies files at the same time!

Blackmagic PYXIS 12K features a large full frame sensor with a native resolution of 12288 x 8040! That's almost three times larger than a Super 35 sensor and lets you shoot with a shallow depth of field or use anamorphic lenses uncropped for a true cinematic look. Whether you’re shooting in bright light or in almost no light at all, the massive dynamic range with high performance sensor provides stunning low noise images in all lighting conditions. Plus, PYXIS lets you shoot up to 112 fps. This amazing sensor combined with Blackmagic color science gives you the same quality as the most expensive digital cinema cameras.

Learn more about Blackmagic PYXIS 12K at https://www.blackmagicdesign.com/products/blackmagicpyxis

30/04/2026

Introducing a free trial of Blackmagic Cloud Streaming!

With this trial, you can stream to multiple platforms at the same time and route live feeds from multiple cameras globally via Blackmagic Cloud. There is support for streaming from Blackmagic Streaming Encoder or Blackmagic Camera for iOS and Android. Streams can be received using Blackmagic Streaming Decoder and DaVinci Remote Monitor, as well as YouTube, Twitch and other streaming platforms.

The free trial router is included with personal accounts, so you can get started quickly and move between regions to find available capacity. With routers available in Los Angeles, New York, London, Tokyo, Singapore and Melbourne, you can take advantage of low latency workflows worldwide. Trial routers include 4 inputs, 3 outputs and a dedicated streaming output.

The free trial of Blackmagic Cloud Stream Router Beta is available now for Blackmagic Cloud customers and can be accessed at cloud.blackmagicdesign.com

30/04/2026

Today we released public beta 2 of DaVinci Resolve 21 which adds improvements and bug fixes across photo workflows, editing and AI tools.

This update makes working with still images more intuitive, with consistent crop, flip and rotate behavior and improved handling of crop resolution metadata, so images display as intended. You can also export stills using original file names, adjust Nikon lens distortion and vignetting, and work with a wider range of RAF and 12-bit NEF images.

DaVinci Resolve Studio adds faster and more accurate IntelliSearch with improved face detection, better analysis results and enhanced performance across platforms, helping you find the shots you need more quickly. There’s also support for foveated rendering for Apple Vision Pro, helping deliver more efficient immersive workflows, along with fixes for VR360 text rendering for more accurate results.

DaVinci Resolve 21 Beta 2 update is available now as a free download from http://bmd.link/bYUybM

14/04/2026

Blackmagic Design today announced DaVinci Resolve 21, a significant update introducing hundreds of features including new AI tools like IntelliSearch for fast content searching, CineFocus for focal point adjustment and tools for facial refinement. The Krokodove toolset adds over 70 new graphics to Fusion, Fairlight folders simplify audio track management, plus there are improvements to keyframing, MultiMaster trim passes, layer list node graphs and more.

Another major update in this release is the introduction of the new Photo page, which enables colorists and photographers to use Hollywood’s most advanced color tools for still photos. The Photo page lets you import and manage photographs, integrating with the color page for node based grading. You can use primary color correction, curves, qualifiers, power windows and node editor to adjust color in artistic ways across an entire project. Plus, you can use a DaVinci color panel to adjust multiple parameters at once.

DaVinci Resolve 21 will be demonstrated on the Blackmagic Design NAB 2026 booth and is available now as a free download from www.blackmagicdesign.com/support

Learn more at http://bmd.link/b4H4hj

14/04/2026

Today we introduced Fairlight Live, a powerful new software-based live audio mixer with spatial audio mixing and support for SMPTE-2110 broadcast workflows!

Unlike traditional hardware based audio mixers, Fairlight Live is a software-based mixer, so it can support incredibly powerful features such as spatial audio mixing and SMPTE-2110 broadcast workflows. It even supports full redundancy! Fairlight Live easily handles hundreds or even thousands of audio channels, depending on your computer. Plus, it works with standard computer audio or USB audio from ATEM live production switchers. This means you get a fully customizable live audio mixer with built-in effects and professional features such as a cue player, talkback busses, third-party plug-in support, snapshots and much more!

Fairlight Live will be demonstrated on the Blackmagic Design NAB 2026 booth and is available now as a free download from www.blackmagicdesign.com/support

Learn more at http://bmd.link/EyVw7s

Address

Unit 5, 49 Corporate Boulevard
Bayswater, VIC
3153

Opening Hours

Monday 9am - 5pm
Tuesday 9am - 5pm
Wednesday 9am - 5pm
Thursday 9am - 5pm
Friday 9am - 5pm

Telephone

03 9722 9700

Website

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