03/08/2026
【場景設計解密】 《Alive》 Music video
辦公室迷宮篇｜ 陳設＋虛擬棚＋AI
導演在創作這支 Music Video 時，核心概念源自對 Z 世代內心深處那份「渴望」 。
而無數的公文建構的辦公室迷宮，象徵著 Z 世代在龐雜規則的茫然。
美術組以導演的概念為基底，一起將抽象的符號轉化為實體搭建的空間場景。
在跟仙草影像擅長敘事以及虛擬特效（CG）的團隊拍攝,美術部門該怎麼搭配與協調呢？
這次我們將這個迷宮場景需要的攝影鏡位整理出來
將大部分的畫面拆解成三個部分來完成
第一個部分 實際陳設的部分
由於該場景拍攝的時間只有6小時，針對每一個鏡位我們必須要做出陳設的拍攝計劃，現場要用最快的時間去完成每一個鏡頭的佈置，必須要把每一個定位桌椅陣列的方法先規劃以及設計出來。
至於文件夾的高牆是這個場景最有挑戰的部分，由於真正的紙張去堆疊出牆面以及柱子製作十分不易，會非常的笨重不好移動。
也嘗試用保麗龍切割成一落落的文件夾紙堆，測試的效果有點差強人意。
但以上的做法都無法在時間滿足拍攝的時間表 。
第二個部分 神奇的紙箱
於是副導小七建議用了紙箱堆疊成立面之後，仙草的後期團隊測試用AI將紙箱轉變成紙張的特效，整體效果出奇的好。
雖然還是有些光源跟運鏡的限制,但是都一一地克服了。
於是我們將每一個分鏡的牆面都改成紙箱。
每個鏡位let out做了配置圖，現場大家可以很快地用紙箱去堆疊出不同的陣列。
第三虛擬攝影棚 ＋ AI + 實拍
雖然前景的紙箱我們用AI輔助了變成了文件夾。
到現場會看到充滿紙箱排列的場景。
而虛擬棚的部分困難的部分是，夢想的祥哥需要模擬AI完成之後的文件夾迷宮遠景，幫我們完成的影像延伸到虛擬棚的螢幕上。
這件事情在拍攝前一天我們的不斷試拍測試模擬。
經過了各部門不斷反覆的測試，我們成功的用紙箱在畫面內創造了一個反覆，又無邊無際的辦公室迷宮。
[Production Design Breakdown] Alive Music Video
Office Maze Edition | Set Decoration + Virtual Studio + AI
When the director conceptualized this music video, the core idea stemmed from the deep-seated "yearning" of Gen Z. The office maze, constructed from endless piles of official documents, symbolizes Gen Z's bewilderment when faced with overwhelming and complex rules. Taking the director’s concept as our base, the Art Department worked closely to translate these abstract symbols into a physical set. Working alongside Grass Jelly Studio—a team renowned for storytelling and virtual effects (CG)—how did the Art Department coordinate and execute this collaboration?
For this shoot, we mapped out all the camera setups needed for the maze set, breaking down the majority of the shots into three distinct components:
Part 1: Physical Set Decoration
With only 6 hours allocated for shooting this set, we had to create a precise set decoration plan for every single camera setup. The team needed to complete the dressing for each shot as quickly as possible on site, which required pre-planning and designing the exact array patterns for tables and chairs at every camera angle.
The high walls made of file folders proved to be the most challenging aspect of this set. Stacking real paper to create walls and pillars was extremely difficult—it would have been too heavy and cumbersome to move around. We also tested using carved Styrofoam blocks to simulate stacks of files, but the result was somewhat unsatisfactory. Neither approach could meet our tight shooting timeline.
Part 2: The Magic Boxes
Assistant Director Xiao Qi suggested using stacked cardboard boxes to build the vertical planes. The post-production team at Grass Jelly then tested using AI to transform the cardboard boxes into stacks of paper, and the overall effect turned out shockingly well! Although there were some limitations regarding lighting and camera movements, we overcame them one by one. Consequently, we converted all the wall surfaces for each storyboard shot into cardboard box setups. By creating precise layout diagrams for every shot, the crew on set was able to rapidly stack the boxes into various configurations.
Part 3: Virtual LED Studio + AI + Live-Action Shoot
Even though the foreground boxes were transformed into file folders with AI assistance, walking onto the set meant seeing a scene packed with aligned cardboard boxes. The challenge with the Virtual LED Studio was that Brother Xiang from Moonshine Animation needed to simulate the distant views of the completed file folder maze post-AI transformation, extending our visuals seamlessly onto the virtual studio’s LED screens. We ran continuous camera tests and simulations right up until the day before the shoot.
Through relentless testing across multiple departments, we successfully used simple cardboard boxes to create a repetitive, seemingly endless office maze on screen!
美術指導 (Production Designer / Art Director)郭志達Kuo Chih-da
美術組 (Art Department)
王韻齊Wang Yun-Chi
楊宛臻Yang Wan-Chen
翁韻婷 YOYO
美術組場務 (Art Department Grips / Set Dressers)
李宗庭Lee Tsung-Ting
黃正達Huang Cheng-Ta
唐偉城Tang Wei-Cheng
張家瑋Chang Chia-Wei
美術組支援 (Art Department Support)
戴穎萱Tai Ying-Hsuan
簡翊津Chien Yi-Chin
吳家心Wu Chia-Hsin
#郭志達美術工作室
#仙草影像
#五月天阿信
#百事可樂
#陳奕仁導演
#仙草影像
#夢想動畫
#美術指導
#舞台設計
郭 志達
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