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nita. studio für visuelle gestaltung., Rechte Wienzeile 75/14, Wien (2026)

07/04/2026

*salut dear everyone. cutting down to the essentials. after more than a decade & all kind of tides my studioship & me as the still standing nostalgic pirate captain are leaving the harbours of facebook. i will stay on instagram for a while longer. so facebook wise it was a pleasure – in my impression things got really layed back & silent on this channel. i kindly kind of focus & reduce on my heart competences telling visual tales in & with devotion, collage digital & animation as playground. as my soul missed it over the last couple of years i want to give the analogue arts & photography more space. there will be a real show again. so this is a last hug & love to everyone here written by someone who never finds the point & still is into all kind of patterns. i am fading here but remaining on other playgrounds. ahoj.

you can still follow me on
https://www.instagram.com/studionita.at/at

visit my website
www.studionita.at

pass by my shop & support me
by getting some limited edition artwork.
shopstudionita.com

i heartly welcome if you write me a postcard,
send me a message in a bottle or an email.
[email protected]

hope demands resistance.
'in flowers i trust.™' ♥︎
photography by ina aydogan (2024).

31/03/2026

*salut & something from the last year. kind of fitting in this vague era. for the grüss gott magazine winter 2025 edition of archdiocese linz i dived deep into the subject of this worlds creation. genesis. where to start when there are plenty of theories & myths when it comes to the point where everything & anything started. this tale can not be told in its entirety. at least nothing i can trap on a blank canvas. illuminating the term i was thinking about the coexistence of events, a principle that all facts come with an opponent. so wherever you are right now – i hope you are fine – furthermore i aim to catch you with details, a bit of the unfinished & fragments of chaos. a 7 days narrative with one day of rest might be a trial to structure the complexity. i wonder if light & darkness miss each other. inbetween days & nights there is work to be done — so all eyes on a figurative god inbetween sky & earth. coexisting on his playground. for this central figure i went with a michealangelo painting & carolsfeld miniature etchings. you find fragments of cellarios macrocosmic depiction, details out of physica sacra, darwins tree of life, rodin statues of eva & adam, as always there are botanical & organic details & symbols which give a hint. fleur de lis blooming in & out of an iris. i hope that you find yourself living your path in this digital era of loudness & overinformation. maybe in silence this planet & nature is still finding your attention. we might think we have discovered all the pearls, but at some point we are blindeyed for the obvious – missing it because we are swallowed by screens. what we see & experience is a reflection of how we handle each other, ourselfes & this earth. just some thoughts & as always lots of answers to find. stay safe. take care of your withins. i am thankful for this beautiful project. a special merci beaucoup to silvia druml-shams, it was a pleasure working with you. & as always thank you matti wulfes & the whole team for a lovely collaboration & your trust. 'in flowers i trust™.'♥︎

*'god saw that the light was good, & he separated the light from the darkness.' (gen. 1.4)

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30/03/2026

*hen or egg? got a bit lost searching rabbits, after a glimpse of silence – here is a tiny fitting to the tide update. i also updated the studio website with late 25 / early 26 cases. will give some insights here as well.

back to the topic for the 03/26 issue of servus magazine i was commissioned & therefore got myself involved in myths & facts about the egg. 4 minutes or in my case 7, it took me a bit longer serving the egg tales without missing ingredients. back as a countryside kid i enjoyed the fact that on some weekends there was a breakfast egg. i aimed for a pet, so i took an egg from the pantry & hided it beneath my bed. my grandmother found it explaining me some basics about life. later my sister & me got some wild & house ducklings. the house of my childhood was next to a little brook. they had a selfmade wooden home & every day we picked them up from their adventures & brought them to bed, unfortunately some of them got to know the fox & beside the fact that I love & miss my grandmother so much each & every day – she prepared one of the ducks as meal reasoning that it was a bit ill anyway. being raised on the countryside was a harsh intro when it comes to life & death. i still don’t want to miss the easter egg battles, searching nests & rolling egg games with broomsticks. back then i did not question why everyone is so much into this object. we brought eggs, bread & salt to church in a beautiful basket. i always thought the consecrated eggs will win the tapping as they are very holy & therefore invincible. decades later, some of the myths & tales unchained while learning that much about eggs, from the impossibility & trials to find the shapes formula, the meaning of colors, the variety of sizes, myths of creation. beholding things from different angles without doing the egg dance. world is an fabergé egg, never know only a guess what could be found inside. so beside the many shades of yellow this project was sunny side up. a huge merci to isabel, isabella, tino, maria dorner for the text & the team of servus magazine for this beautiful project. 'in flowers i trust™.' ♥︎

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31/12/2025

*hej. fin. ending a year. wishing the world to be in peace at last. but how could this be if i we are not with ourselves. i hope you are okay in this now. me inbetween watering a new years garden & burning the past. an alchemy in elements while snowflakes appear in this last of 2025 winter sky & the coldest wind fades 'what might have been lost'. what the soul longs for is meeting people face to face, exchanging what we understood on our paths knowing that we might know nothing at all. things here are in shine, no novum. i am not sure if i use the tool or the tool uses me to get some likes in a world where people fade in hyper individualism. beyond surfaces & in every & all days there is the struggle, the overwhelming, the loss of devotion, the beauty of nature, the tiredness, the inner fights, the tears, the laughing & wondering. all emotions. 2025 was a year full of waiting rooms & trying to find cure & still it is on my agenda. i need to find peace, acceptance. world is a mirror. stitching, patching, collaging, telling tales speaking truth, pretending, playing roles on the stage of life while there are no role models (merci christl & .tah_1 for the photography) another year framed in ovals. alone & with kind ones on the path. an edgy year is framed up in ovals & i am still a caterpillar collecting courage & experiences. mindwise leaving the cocoon for phantastic adventures, bodywise on hold. skiproping lights & shades. so much beauty on both sides. in flowers i trust.™ ♥

́re 2025 2025 margareten inflowersitrust vienna studionita.

08/12/2025

*salut. from my salvation & felt infinite the cure state. for the people who still read. never finding the point well i am on hold & holding myself balancing a dysbiosis. things i wanted to turned into things which need to wait a little. skiproping acceptance & resistance.

even if i am kind of in the backyards when it comes to presence i feel you & everyone who is wandering the trough & highs of disillusionments in challenging times of multitudes. in devotion i hand you a written package of seeds with pretty flowers. maybe you are searching for a hug, ears to listen a hand to hold, maybe something or someone finds you & changes the way you perceive your world in this worlds. never know.

maybe you want to say thank you with a gift. in case you know someone who is into tales & details there are still some works left. i know it is too much stuff out there so we need to choose wisely what we go for. this is no sale no trying to fullfill greed. i appreciate when you /mirror/ appreciate my way of capturing fragments of this world in frames & i am always happy when my artworks can live on in other homes, continue telling & whispering tales somewhere else & nice. in case that you are low or out of budget & want a special work because you think this might enlighten your nest or you have some lovely initiative i can support by donating an artwork. write me some dm i am open to let go with joy.

pictures show a selection of framed fineart print out of my 2024 series. 'málve & vernis' – light tales of no where ends. – these & some more not that many are available as limited edition framed fineart prints via my webshop.
https://shopstudionita.com/product-category/artworks/ (link also in bio).

i know i am telling you since over a decade…
*in flowers i trust™.

♥︎ nita.

post scriptum.: keep your bodies & souls warm & healthy. merci to the ones who helped out in gestures of empathy in this times of disease. faith.

02/11/2025

Hinter jedem starken Markenauftritt steckt eine kreative Vision✨. Unsere Illustratorin nita. studio für visuelle gestaltung. bringt genau diese Vision auf den Punkt – mit Farben, Formen und Ideen, die bewegen. Ihr jüngstes Werk: unser neuer Adventkalender, der kleine Geschichten erzählt und große Augen zaubert 😍
Mehr über Nita und ihre Arbeit erfahrt ihr im Video 🔼

11/09/2025

*after let’s call it silence in a storm. kind of wuthering weights. so hej in this september. this is a kids kind of an aim for vicinity in a latence after and in a middle of a series of events. this need of writing some personal lines came up within yesterday. so if you are not into reading the long repetitive patterns of my defragmentation of a summers farewell. my sum up update of what is & has been going on is in two words stains & waiting rooms. three words. waiting & room is separated with empty space. so how to fill the gap between the waiting room. so in-between & exact return of the same & starring at a wall – this stain or stains due to another water damage – appear like a mirror reflection. how to handle stains, paint & ignore the existence. frame them? imagining victorian age meadows while running up that hill with parapluie, lace gloves in a laura ashley dress convincing myself it was only fitzwilliam darcy or some other brit romance figure like heathcliff who spitted some tea on the picnic blanket. the queen is dead also became reality. horses, phantastic escapades & mille fleurs will not conceil the existence of disquieting matters. the other more rational attempt is finding the source causing the stains.

summer has been & in its aged days is filled with projects to finish in a forrest of layers. the real show sleeping, a ship ready to take course while the captain enhances the collection of pictures from within to solve the bodies enigmatic symptoms. lots of details but still no image or composition. again stains which at some point always find their way on the surface. hitchhiking on the highway to health. i am very up on the hill to continue paths with compassion & love, packed with a collection of seeds. dress is dark velvet with some sparkles of permute & shimmering trust. there will be project updates when i weigh the anchor. meanwhile i am beholding you as lovely ships navigating through your oceans. love. nita.

'in flowers i trust.™' ♥︎
pic by 2024 in mint condition.

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16/06/2025

*hej & well this is mid june news. there is a new date for the third duzz down san upcoming blockparty 25. hopefully the sun paints rose, orange, apricot, lilac & peach horizons end of june. original date was in heavy showers. as you already know for the artwork i got lost & found in a labyrinth of layers, especially on the story animation part, beautiful sound by mosch new ep 'how are you doin'. so beside the common online tools i was happy to work on a poster & there is also a special limited edition shirt as presale bundle with the entry ticket. this label had & has some wonderful releases on the agenda. follow the Duzz Down San gang & support the family. poster & shirt is shown here in mockup status. exited to finally spot the shirts. last but not least the artist lineup of this june event is lovely – so is the label. grateful to join them as silent graphic ghost since over a decade inbetween niches & spotlights. so this was a fun contemplation. and still in snail pace i hot spotted salamanders, martens, racoons, amphibians, while listening to birds, chirking about honeymoon sunflowers, butterflies & busy bees. another phantastic blooming animal collective. hope to spot your souls in the kitchen for another lovely occasion.

28.6.25. at soulkitchen vienna. swipe to the end for the line-up.
'in flora&fauna i trust.™' ♥︎ thanks to the dds family for another pleasing the kid within project.

10/05/2025

*hej & may news. duzz down san upcoming – had the joy to play on another artwork for the third blockparty 25. a flora & fauna fusion on blanc canvas for the arising summer season & gang gathering. got lost & found in a labyrinth of layers. another squared fun contemplation. well in snail pace i hot spotted salamanders, martens, racoons, amphibians, while listening to birds, chirking about honeymoon sunflowers, butterflies & busy bees. another phantastic blooming animal collective. hope to spot your souls in the kitchen for another lovely occasion.

7.6.25. at soulkitchen_vie.

'in flora&fauna i trust.™' ♥︎ thanks to the dds family for another pleasing the kid within project.

swipe for the line-up.

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15/04/2025

*a mid of april reach out to you with a beautifull commission. for the grüss gott magazine spring 2025 edition of archdiocese linz i was happy to create yet another collage illustration. this time focusing on the question of how jesus was able feeding the multitude, the term is also known as the miracle of the 5 breads & 7 fishes. the bread of life – in this time & i guess for many ages the question of how subsistence & existencial needs of food could be assured & in a fair balance & furthermore the awareness, conscious treatment & sharing of resources is indeed a serious matter. coeval thinking about the term, there is a very obvious link to behold it as metaphor, sometimes this little courageous gestures can have a huge effect. as every time when i encounter a new subject i try to look what comes up in my mind, before i start researching & diving in sources. it was the mirror & the butterfly effect. the easiest thing to multiply one thing is to use a mirror. from this point of view, the way you act is reflecting on your surrounding. if you treat someone with kindness, that person might carry your intention further, an effect of gentle gestures. for the collages central figure i went with a salvador mundi etching after juan de juanes. as always there are botanical & organic details of animals & symbols which give a hint on the subject itself. if you want to know more about all the fragments captured in the final artwork check out my studio website. love might be the easiest thing to multiply in theory, but seems like it is slick & slippery like a fish to keep. some things are here for giving & not for owning. i need to mark out again that i appreciate to work on matters like this & for that i am thankful for this beautiful project. merci beaucoup to silvia druml-shams, matti wulfes & the whole team for a wonderful collaboration & your trust. 'in flowers i trust™.' ♥︎

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09/04/2025

*voilá & ahoj, here is a little update. 2025 started with entering new terrains. i am grateful for the commission of bethmann bank, founded in 1712, therefore one of the oldest private banks in germany. fortified with a fascinating history & background. i appreciate that sustainability is one of the core ambitions & values. for the weekly online column on the financial market named 'wochenkommentar', i developed a generic series of four timeless keyvisuals with character for on & offline demands in different formats. when it comes to the visual language of stock markets, bank institutes, financial services, observable & for a reason there is most of the time a minimalistic, sleek approach & requirement focusing on serenity & information. sometimes it is nice to take courage & come up with something against the stereotype expectation. i took the possibility to look at the topic from different perspectives. as visual tale & story teller i am always up & into new adventures, diving into insightful research is one of my favored passages during the creative process. entering the playground of the financial market & transferring things into artworks was a delight. my studioship took reverse course in history and recovered merchant ships & harbours, hands in collaboration holding together, pushing forward & reaching out, the bull and the bear, europe & justitia, revived busts as timeless monuments of human kind, a perambulation of infinite portals of possibilities. this is just an selection of the project, if you want to know more you can find the project on my website. merci to bethmann bank for the trust, the wonderful briefing, feedback & communication culture. avec pleasure.♥︎

client | ABN AMRO bank N.V. frankfurt branch
corporate design | provided & (c) by bethmann bank
keysujets technique | mixed media collage & illustration digital
typography | roboto by christian robertson, darlington signature by glyphstyle

nita. studio für visuelle gestaltung.

07/04/2026

31/03/2026

30/03/2026

31/12/2025

08/12/2025

02/11/2025

11/09/2025

16/06/2025

10/05/2025

15/04/2025

09/04/2025

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